On The Contemporary Chinese Printmaking In The Expression Of The Subjective Consciousness

Compared to the20th century, the new century, Chinese prints have taken place in a lot of changes, China’s modern prints experienced a century of baptism, from critical realism to reproduce real-life, to the1990of20th century ontology of language highlights, consciousness of subjective consciousness, perspectives of creation and experimental new media, gradually established a new century of aesthetic modernity of Chinese contemporary printmaking art.From the structure of this thesis, the full text is divided into four parts.The first part is introduction, thesis objects, meaning, purpose, and research ideas and research methods, and the existing theoretical studies a brief summary, see the introduction part of this paper.The second part of the main sense of positioning in the psychology of art, through the interpretation of the subjective consciousness, psychology to explore the main manifestations of consciousness in artistic creation, and make comparison and analysis. Also analyzed the context of the era of contemporary Chinese printmaking. Definition and Analysis of Chinese contemporary printmaking, exploring the aesthetic orientation relationship between the subjective consciousness of the Chinese Contemporary Printmaking.The third part is the expression of subjective consciousness in the analysis of contemporary Chinese printmaking, respectively, from a historical perspective the main expression of awareness of contemporary Chinese printmaking from the printmaking body language analysis of the subjective consciousness in the contemporary Chinese printmaking expression.The fourth part is the conclusion, a summary of the contents of the paper and try to grasp the future development trend of the contemporary Chinese printmaking.Ernst Hans Josef Gombrich once said:"The history of the development of the entire history of development of the arts is not a technical proficiency, but the concepts and requirements change history". The performance of real-life sense of Chinese Contemporary Printmaking has been slowly fading, the desire to enhance the subjective performance, turning the subjective expression of the inner world of prints and text introspection, context inheritance of summing up the practical experience, full absorption of the existing theoretical results on the basis of the expression for the self-consciousness in the creation of artist prints, in-depth study to explore, from a new perspective on contemporary Chinese printmaking.