Animation Based On The "Knife Horse Man" Of The Kangxi Five Colorful Porcelain Painting

"Chinese school" used to be a banner of China’s animation, renowned animation circles at home and abroad. For these reasons, in addition to the people of virtue of the older generations world-art sensitivity and insight, love of animation art and insist that, relying on traditional Chinese culture, has conferred on the national culture to a new life in the innocence should be "Chinese school" of the soul. Thoughts on this, that this article is based on traditional Chinese culture as the foothold, selecting outstanding representative of Chinese culture--porcelain and ceramic art objects for reference, taking the classic story "Zhao Zilong Safeguarding his Little Master " of the Romance of Three Kingdoms creation of animated short films as an example, to study on necessity and feasibility of traditional Chinese elements of animation production. The paper is divided into three chapters, as well as the introduction and the conclusion part.Chapter I researches colorful porcelain painting art and Kangxi "knife horse man" painting. It divided into four sections, with Kangxi colorful "knife horse man" for the key, including the concept of origin about art, Kangxi colorful porcelain paintings and "knife horse man", Kangxi colorful "knife horse man" which areas of application, art style and impact."Knife horse man" is associated with the emergence of porcelain figure painting. Kangxi colorful "knife horse man" is a mature forms. Kangxi colorful "knife horse man" art style can include three contents, that is, fulling composition of forms, rigid flow of image characterization, strong bright colors designs. Judging from the future arts development, reign of the multicolored "knife horse man" a greater impact, ranging from themes, fun and so enrich the aesthetics of traditional Chinese ceramic, ceramic painting was created new forms of composition, and the impact on the art of sister and so on.Chapter II discusses the links porcelain painting "knife horse man" with animation of China. Divided into two sections, respectively, from the origin and style, theme study on porcelain painting "knife horse man" animation of links with China. From the beginnings, porcelain painting "knife horse man" and animation are derived from the Chinese folk art in China."Knife horse man" whose themes and subject,matter content and carrier features a number of paintings under the influence of Chinese folk art. China’s animation writing techniques, aesthetic symbols such as reference of Chinese folk paper-cutting, shadow play. From modeling, subject matter, porcelain stereo, spin, styling features and plenty of choices from the perspective of Chinese folk culture themes can be seen in common with the Chinese animation and contact with one another.Chapter Ⅲ analyzes the animated short films of the "Zhao Zilong Safeguarding his Little Master". Divided into two sections, including the animated short film idea of reason and the creation of specific."Zhao Zilong Safeguarding his Little Master "is that people familiar with the classic romance of the three kingdoms story. TV takes "Zhao Zilong Safeguarding his Little Master" stories based on both broad audience base, and typically show the spiritual force of the Chinese traditional culture, to promise to keep the character of charm. From plays, modeling, scenes, music and other aspects of design, short film final success.Finally in the conclusion part, briefly summarized the relationship of Chinese animation and Chinese traditional.