The Human Spirit In The Traditional Chinese Painting

Traditional Chinese painting is the crystallization of the wisdom of the Chinese nation,leaving behind numerous valuable paintings in the long river of history, profoundcondensation of the quality of the spirit of the Chinese nation for thousands of years. This isdue to a variety of cultural factors blend together to continue moving forward in the history ofthe Chinese nation, interwoven, forming a unique cultural qualities of the Chinese people,philosophy, concepts and aesthetic thought, and thus constitute a unique and completetraditional Chinese painting systems. In other words, traditional Chinese painting was thecontinued development and growth, precisely because of the penetration of many humanspirit and the subtle. Therefore, in this paper focus on the development process of thetraditional painting, the human spirit everywhere.In this paper, the elucidation of the human spirit in the traditional painting start by thesimple dialectic of China, this is because it is the beginning of all culture is no exception tothe traditional painting. The philosophy is the ideological foundation of all cultural forms, theart of a nation are bound by the guidelines of the national philosophy and nurtured."Book ofChanges" is the source of all culture, it is no doubt that the tradition of painting. Confucianism,Buddhism and Taoism, the three major philosophical system of thought in Chinese traditionalliberal ideology of mutual penetration, he argued with the mind of the ancient painters, andbuild their way of thinking, aesthetic orientation and performance. Feng Shui culture as animportant component of the human spirit’s, although its feudal elements in the communityhave not been widely recognized, but the implementation of traditional painting, the sense offeng shui is also often need to learn from the fact that we ancestors did the same thing. Withthe passage of time, the development of traditional painting is even more mature, a lot of theembodiment of the human spirit in the painting is more obvious and more explicit. Aestheticpropositions and areas have so often mentioned in the painting process, such as research onthe mood of "qi". Such implementation to the continuous development of the human spirit inthe field of traditional painting, to consolidate and enrich the painter’s philosophy of moralvalues and aesthetic theory of knowledge, influence and shape the aesthetic requirements andstandards in carrying out specific painting practice process, thereby affecting and shaping thequality and spiritual quality of the art of traditional Chinese painting.