| This paper seeks to go beyond limited modes of State talked about the history of artworks of art, genre painting in the Song dynasty in the secular culture in the Song dynastyupon the background of this broad attention.Using the methodology of dialectical materialism, demonstration of the direct impact ofthe secular culture in the Song dynasty to Song dynasty genre paintings and some stealthindirect questions. The song is an important turning point in ancient Chinese society, the songgained unprecedented industrial and agricultural production and commercial activities andtherefore improve, historic rise of the public classes, leading to a highly developed aestheticculture of the people, thereby promoting the rise of genre painting. Song dynasty ruling classmine on creating a xingwen anti social mores and Miyuki if Yang in calligraphy and in person,while willing to support reflects the times of genre painting, so the song painting Academy ingenre painting creation as the main force has achieved brilliant results.Performance levels as a result of the Song dynasty genre paintings and more solid,country life, urban phenomena and even the Royal gardens at rallies in genre painting. Therise of Neo-Confucianism in Song dynasty genre paintings creation provides rigorousacademic attitude, that is what people call "image", under the academic attitude, Customs willalso be realistic painting in ancient China during the Song dynasty to the historical peak.Proliferation of painting and calligraphy market directly stimulate the demand andpopularity of genre paintings of genre painting, thereby indirectly provided a materialfoundation for improvement of genre painting.This article is not only the diverse face of genre painting in the Song dynasty had beencombing, and associates it with the background of specific cultural contact trips, resulting in asociological sense explanation of the reasons for the flourishing of genre painting in the Songdynasty and achieved results. |
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