From The Communion Of Literati And Prostitutes Seen To Generate The Power Of Literature Of The Late Ming

Emotions as a literary and artistic creation of the power.The art in this society is created by the male and female work together. Literature and art as the performance of life, reflecting the spirit of life products can not avoid possibly one of the external and internal sexuality differences."Art is feeling". The great sculptor Rodin’s famous words, revealed the essence of art. Without emotion, art is like a lifeless desert castle. No emotion, even art can not produce. Artistic creation in the process of emotional activity, LiuXie in "WenXinDiaoLong"said,"Sence is the warp of the article." This means that emotional activity throughout the whole process of artistic creation. Generally speaking, the artist is always in the strong emotions start his artistic creation of the project. No matter what kind of artistic creation must have a certain amount of creative motivation, emotion is the generated power of the literary and artistic creation. It not only works, but also drive that all of the creative act towards a certain goal, and ultimately determine its creative direction. For art, emotion is not just a function of factors, but the object of the emotion itself or artistic performance. Therefore, in artistic creation there are two emotions and his ilk. The one hand, feelings of activities as the creation of kinetic energy, on the other hand, as the creative content of our emotional state. The two sentiments in the work of the claim is not consistent, and therefore results of the complex effects of emotion in artistic creation activities.In this paper, take the emotions generated power of the literary creation as the theoretical basis, related to three aspects of the research discourse. The first chapter discusses the emotional and creative relationship between theoretical research focus from the macro perspective. At all times, all writers have such a consensus:Emotion is the driving force of the literary creation. Emotions can not only lead to the creative impulse, but also to strengthen the artistic perception. Emotion makes the wings of imagination to the work. So that the work is lively and rich and to achieve aesthetic effect. Emotions including a variety of, but love is one of the many emotions of literary creation is the most important emotional factors, so that love has become the beginning of the ancient and modern writers for literary. The second chapter order to it literati and prostitutes exchanges during the late Ming period for example. First discussed the change of communication mode of the literati and prostitutes during the late Ming period. Literati are not for the purpose of prostitution indulgence to play with prostitutes any longer, but turn to enjoy prostitutes’ poetic talent. So as to achieve the spiritual pleasure; Prostitutes are no longer prostitution and low-level services for the business model, but turn to take the literary and artistic won literati to appreciate as the main mode of operation. They are cater to the social climate of "Emotionalism" of the late Ming period through their own transformation. The second part followed by Chen Zilong, Qian Qianyi and Liu Rushi’s emotional development for clues that focus on analysis of the impact of literary works due to their emotional changes. The third chapter obtains the literary inspiration by literati and prostitutes’ communion during the late Ming period. The first part investigates the Eros is a literary original power. Regardless of the repressed love or love to meet that both can become the raw power of the literary and artistic creation. Secondly, it illustrates that Love is the eternal motif of literature and the catalyst for the creation of the writer. It has become a powerful driving force and take energetic passion for writers. Their creative peak will come soon.Late Ming literature to generate power from the communion of literati and prostitutes, it means that sexual relations with the contact of the literary and artistic creation. The inner world and sexual relations that constructed by the gender inherent differences will produce extremely broad and profound influence for various aspects of cultural activities.