The Tea-picking Dance Culture Research Of Gannan On Hakka And She Hybridization

Gannan tea-picking opera originated in the Ming Dynasty, was formed in the late Ming and early Qing dynasties, and mature in the Kangxi and Qianlong.As one of the most representative local opera of the South, Gannan tea-picking opera showing a very strong vitality and great prosperity in history, the clown performing skills matured of Gannan tea-picking opera has laid a solid and reliable foundation and towards prosperity for Gannan tea-picking, at the same time provide a rational basis for follow for the development and movement of the descendants of Gannan tea-picking opera performances.Gannan tea-picking opera is the essence and treasure of Gannan Hakka culture, this point is consistent with the recognition and affirmation of the experts at home and abroad, but as the dance culture, if we only from the Hakka culture to study and understand the Gannan tea-picking dance movements and performances, we will encounter a lot of questions and problems. Such as Hakka folk art why the revered shezu nationality people (Lei Guanghua) as the national art of pedigree; why folk tea-picking artists do not eat dog meat; Why so many animal forms analog clown performances; Central Plains Han Chinese look down on dog, but to why the dog became a totem worship, Gannan tea-picking opera status; this is the question to be answered by this article,shezu and the Hakka plays a vital role in Southern Jiangxi economic development, historical evolution. That’s why we choose the shezu and Hakka integration as a precondition, we use of the field research, philology,ethnography, dance studies, cultural anthropology and other research methods to study the Hakka folk art-Gannan tea-picking dance, the morphological characteristics and cultural connotations shezu passenger origin and cultural background blend with each other. From a macro-cultural perspective, to spy contains two (shezu and the hakka) cultural factors.