The Momentum And The Qualityof Chinese Landscape Painting

" Far from watch need momentum, near watch need quality" is an aestheticrequirements of Chinese landscape in old painting, the view of " potential" and"quality" in old painting will be discussed and studied on the present situation of thehistorical and cultural background in this topic, first of all,exploring the deepconnotation and significance of " potential" and "quality " from the Chinese traditionalculture." Potential" is the consciousness from the overall shape and tone, obtain the firstimpressions from the natural landscape of art creation, also will be a landscape paintingof the central emotion take in everything in a glance." Quality" is the essential andinherent regularity performance of the artist for aesthetic object,in-depth understandingand performance of the object, both of which are in the natural mountains and rivers toprofound cognitive before it can be fully expressed, is an important part of landscapepainting. A correct understanding of the technique, space layout, screen the actualsituation and the" potential ", and grasp of Chinese painting, ink pen lines with" quality"the immanent connection between, can the picture presents overall local, havemacroscopical with microcosmic, mental substance affordmuch food for thought fineworks of art.Chinese culture is broad and profound, has formed unique artistic aesthetic systemfor thousands of years of sedimentation, has strong inclusive, eventually formed itsown unique appearance variation in attracting the introduction of foreign culture andconstantly fusioning and screening at the same time. The art of Chinese paintingcreation and innovation can not be divorced from the traditional. the " potential" and"quality" of Chinese landscape painting concepted as a kind of traditional idea ofpainting, it covered the wisdom of Chinese for thousands of years, is an importantcomponent of the Chinese landscape painting spirit,the same attention should be givento. With the development of the times the collision is generated between the culture athome and abroad, both with foreign cultures and opposite places, also existing to bepermeated each other place, the Chinese painting research at home, both grasping thetraditional in the cultural collision, but also developping and creation in the traditional,Chinese landscape painting art in its own development although, due to material media is different form Western art and culture, but was taken for reference and absorb insome areas.With the continuous development of Chinese painting and Chinese paintingtheory, the development of Chinese painting needs innovation and creation,how toexpress the new look and new weather also grasp the inner spirit of Chinese landscapepainting, is the need to draw a consciousness construction of their own and to paint fullof philosophical understanding of the traditional language in china at the same time,grasp the spirit of Chinese landscape painting, to show the nature of the universe、thebreath of life and inner beauty." Potential" and "quality" with the times and socialbackground, the cultural background of the changes were given new understanding andthe times connotation. Through the expansion and deepening understanding of theconnotation of "potential" and "quality" causing the thinking of the natural connectionand its own by modern people, as well as on connection of Chinese traditional paintingand Western art, and put this relationship into the new era of Chinese painting creation.