The Research For The Quality Of Chinese Landscape Painting In Contemporary Diversification

With the transition of the times, the aesthetic activities of the human being present different forms. Compare with any period in the history, nowadays China is much more than complex---tradition, modern and post modern, they mix and exist together; the oriental, western and the global culture negotiate and conflict; the mainstream, elite and the mass culture confront each other and integrate. Nowadays aesthetic activities in China have become multielement from its sole past.The development of the Landscape Painting in the last century has been cut off from its traditional past. As the core of the philosophy’s appreciation of the beauty, the Landscape Painting has been nourished for a long time and became a trend that paid much more attention on ink liberalstyle and less attention on traditional Chinese realistic painting, formed and created a style of its own, which is much more stable. When the Traditional Chinese Painting developed into the Ming and Qing dynasties, the techniques in the style of ancients made its achievement became decline. In the20th century, the May Fourth New Culture Movement, which sponsored by Chen Duxiu, ended the single form of the Traditional Chinese Painting that has been lasting for the thousands years, the Landscape Painting moved to the mingle way of the eastern and western culture. Under the opinion "wholesale westernization", the national nihilism push the mingle culture of the eastern and the western leaning to one side. The new wave of the art movement arose in1985, as the start point of criticize the art becoming the tools of the political during the Culture Revolution, became a liberation of the national spirit and culture innovatory movement."Traditional Chinese Painting is dead","stop painting" speech emerge in endlessly, all traditional thing are denied, no matter it is essence or dross.Entering the new century, the improve of the material life make a loose culture living environment formed, the Landscape Painting exist a multielement trend during returning the noumenal itself. With the improvement of the material life and the confidence of the whole nation, the artist turn their creative aim to the inherit and innovate the traditional Landscape Painting; on the other hand, because of changing of the aesthetic standards and life experience, the new aesthetic is forming, the artist of the Landscape Painting is pursuing a new style to fit people’s need in nowadays. Then the modern Landscape Painting artist face a challenge-----when it is mad cling to the innovation, the new language expression style cannot bearing the tradition and expressing the culture as well as the traditional Landscape Painting is difficult fit the aesthetic needs of the nowadays people, the trend that suit the popular fashion aesthetic culture cut off the tradition of the Landscape Painting. Under this contradictory environment, the modern Landscape Painting exist a form that the bad and the good are intermingle together.During the creative work of the modern Landscape Painting, there are many different styles, for example the realism style that inheriting the traditional painting techniques, think highly of the nature to abstract objective things; the abstractionism style that signifying the natural image and the traditional wrinkle method; the super-realism style that using surrealism to form a new space-time opinion. At the same time, the language style that bearing the new artistic style becoming a diversified trend, same of the artist expand the expressive force of the Landscape Painting during inheriting the aesthetic connotation of the traditional Landscape Painting; same of the artist came out of the tradition and mix the aesthetic element with the popular element to avoid negative feature of the traditional Landscape Painting and to pursue the new expression of the landscape painting to express the realistic culture; same artists paid more attention on exploring the transition of the modern Landscape Painting during mix with the western art elements. Up to now the traditional aesthetic standard is no longer the yardstick for the modern artist during their creation. According to the work style, the aesthetic interest and the big different on expression, the modern aesthetic standards becoming a fuzzy trend during its classifying, recombination and rewriting.Under the influence of the fast-food culture, the experience like "sitting all day long in the barren mountain and juggles" as well as the free and easy felling like "at the starting place of the river, just sit dawn to enjoy the free felling of the cloud" is difficult to find, the artists lost their leisurely and carefree mood. Because of the loose environment and fuzzy value standard, the modern Landscape Painting mainly pursue the stimulating of the sense and same problems are arising, like traditional aesthetic standards become less popular, fuzzy with the western painting, the bounds of the beauty and ugly is fuzzy and aesthetic connotation is becoming plain.Thus, the author raise the opinion like building and the control of the creative scale of the works. The true, the good and the beautiful opinion not only can set a new scale for the creation of the Landscape Painting, but also can be the new developing aim of the Landscape Painting. Only after deeply knowing the difference between the eastern and western culture, can make the essence of the Landscape Painting carry forward while facing the crash and the mingle of the eastern and the western culture.