The Meaning Of Being In The World To Wangwei’s Landscape Poetry

Time-Imagery rendering, which is known of Poetry Written In Painting, is a principle of a poem of how to write down Being. Procreation and Evocation represent its basic features. The apparent of this two part itself is that Being as integrated one is hide by the world of knowledge and the original relationship of being in the world is divided into two opposite things. And unlike the traditional dissertation, under the background of Heidegger’s fundamental ontology, this article aimed at probing the origin of Poetry Written In Painting, which is a traditional proposition owing to Wang Wei’s Landscape Poetry. Taking a phenomenological approach and a depth of the text read, we demonstrate the relationship between Being in the World and Poetry Written In Painting. And finally we reveal the profound mystery of WangWei’s Landscape Poetry:Time-Imagery rendering. This practice has gone beyond the present dispute on the right or wrong of the proposition.