Analysis On Artistic Composition Of "the Yellow Emperor And The Sun And The Moon God" Of Han Dynasty

The portrait stone of Han Dynasty art is typical of Han’s visual art, which has formed a unique artistic form language during its long development process. As of the Eastern Han Dynasty, the Han Dynasty portrait stone art s developed to maturity in its forms, portraits can use rich art form to interpretate the culture of" grandeur and profoundness". Judging from the unearthed portrait stone relics ranging from the early Eastern Han Dynasty to the middle of Eastern Han Dynasty, application of forms in portraits, especially in some large portrait stone, is incredibly wonderful Kylin granite stone tombs in Nanyang is a typical representative of those unearthed stone tombs. The rich collection of portrait stone in this tomb tells us people’s knowledge to the constitution of universe, including the upper world, Kunlun fairyland, the human world, ghost world, in which the "Yellow Emperor and the sun and the moon god", hanging at the anterior zenith of the tomb, is the most important one among all, it distills people’s knowledge to’heaven’, revealing Han people’s view of the universe. The portrait that use a variety of forms to express this complex concept, this article will take the layout of portrait as the research object, analyzing and demonstrating characters, meaning and influence of this layout and forms.The first chapter:portrait art layout. This chapter will focus on layout, of " the Yellow Emperor and the sun and the moon god" portrait and review the relationship between these forms, as as to have a general understanding of the layout of this portrait.The second chapter:portrait art forms characteristics and meaning. This chapter will focus on" the Yellow Emperor and the sun and the moon god" portrait of the format form, space, frame structure, frame, center of gravity point arrangement, corresponding relation between the art formto carry on the analysis, description of "the Yellow Emperor and the sun"and the moon god portrait by these form characteristics, as well as theirmeaning in the portrait.Chapter third: comparison of portrait art. This chapter will" the YellowEmperor and the sun and the moon" god portrait of the artistic form andcontemporaneous portraits were compared, so as to show the universalityof these kind of form layout in Han Dynasty During the Wei and Jin periodworks of art，using art form the comparison, these forms of Wei JinSouthern and Northern Dynasties art effects.