Yunnan Yi Totem Culture In Bimo Paintings Research

Yi Nationality the Bimo painting is a local religious painting, with Yi totem worship, hero worship, nature worship, have a close relationship. The Bimo painting more than is Yi classics Classics, contact the production and living customs or worship rituals, etc., into the corresponding illustrations by virtue of their own imagination painting. Some Bimo paintings reflect the traditional character; some to Bimo graphical representation of the content is a living sacrifice customs, but they are human activities, depicts the cultural connotation of the traditional Yi.In time, the totem culture Bimo painting. Totemism existed in ancient times, Bimo produced in the period of matriarchal commune, mature in the patriarchal clan commune period. From the angle of Yi social life. Yi began totem worship, nature worship, ancestor worship after a long journey, and then only to the Yi Bimo Bimo Culture is part of the totem culture, which means the Bimo painting is also part of the totem culture. The Bimo painting the subject matter, such as closely related to the totem culture, Bimo painting is an external manifestation of the totem culture.Yi people in Yunnan distribution is very broad, it can be said of the residence of the Yi people everywhere, which the Red River Yi is at most the most concentrated place. Shiping County, Hong He Prefecture whistle red Township Bimo in Honghe Prefecture, is also more concentrated in this place. To whistle red Township unpredictable Austin, Mu Shin Estate, the main research object. Open at the same time the S&P Cheung, Zhang Chunde the Bimo painting to focus on research, field research on whistle red Township unpredictable Austin. Mu Shin Estate, the use of experts to visit the art of painting, field research method, and comparative analysis of Yi People in Yunnan a more detailed comb. Totem culture of the Yi Nationality in Bimo painting as the main object of study, discussed the relationship between the Yi totem culture and painting Bimo and Bimo painting themes, tools, materials, color and vector overview. Secondly, the Bimo painting the dragon, birds, fire and the tiger totem worship. Third, the cultural connotation of the Yi totem culture Bimo paintings. Fourth, a summary of the papers presented on the Bimo painting heritage and protection and Bimo painting to be in-depth studies to explore. The Bimo art of painting now facing a crisis, heritage protection,it is very important, specific protective measures.Combined with today’s social development needs of its essence to its dregs, Bimo paintings contains a certain philosophical sense, embodies the concept of man and nature live in harmony, there are moral, desire, love, etc., with today’s nation-buildings harmonious socialist society has a similar place, also have some reference value of building a socialist harmonious society.