The Ming And Qing Portraits And The European Renaissance Portraits

Portrait of the changes in East and West in the Ming Dynasty (late), and16th century Europe (Western Europe), similar socio-economic, political, ideological and other aspects of background. Ming Dynasty and the16th century Europe, each has a specific historical background, the growth of commodity economic prosperity and the development of the seeds of capitalism and the resulting public sectors of the power of thought together with the emerging class against the shackles of feudalism, so people started to pay attention and sure their own spiritual needs expand, and the need for some medium to express awareness of self-identity, portraits and art is one of the media, and thus give rise to prosperity and change. In the process of Chinese and Western exchanges, the painter of the Ming Dynasty absorb the fusion of Western painting techniques, so that the portraits of a certain three-dimensional, further to the realism. Article is mainly from Chinese and Western specific period portraits, character modeling, color, etc., to explore in the Western tradition, the new look of portraits and arts development in order to in-depth knowledge and understanding of research and creation of the portraits on the face of change during the and beneficial factors to be absorbed and used. Through a comparative study, to make himself better understanding of and attention to the artistic achievements of the Ming Dynasty portraits, and more objective understanding of the16th century European realist portraits of contemporary realism meticulous portraits, especially the young portrait painter can correctly treat and grasp the scale of tradition and innovation, the creation of modern realism meticulous portraits have a certain practical significance.