Commenting On ShenCongwen’s Literary Criticism

In modern Chinese literary history, Shen is one of the more monoid writer, is also a rather special, the impact of critics. Shen was popular several critical mode from the literary criticism of his literary criticism to learn the characteristics of each of the ancient and modern critics, which formed the system of his own criticism. This paper attempts to criticize the course of development of Shen and summarize summarized each stage of the concept of literary criticism, literary criticism and literary creation loop interaction, and overall look at literary criticism various stylistic form of three levels of discourse Shen from literary criticism.The first chapter of combing Shen stage of development from the text of literary criticism, the title of aesthetic criticism, the conversion of the unique value of criticism and improvement. Shen from the literary criticism of the text is divided into three phases:an early stylistic based aesthetic criticism. The early1930s, Shen, Wuhan, Qingdao and other places in the teaching of modern literature for teaching requirements with a systematic review of modern literature. Shen Congwen creation of this period is far from mature, their own article at the advantages and is the style. Thus, Shen Congwen more from a stylistic point of view to aesthetic criticism as the focus of its criticism. The writing of this section is to start from the "text" and "organization" as well as the style of its intuitive perception level. Second, the unique value of the "Ta Kung Pao, the period of fun "" human nature "criticism. Shen in this period from the text, its literary creation, awareness of the literary value of the basic formation, which is reflected in the opposing world he consciously build Xiangxi-Urban. The unique value of criticism is mainly constructed around these two aspects in the "human" and "taste" the two above, the writing of this section. Thirty or forty years criticized the improvement of the unique value. The1940s, Shen, from the literary criticism of life, divinity from humanity and fun to level. This is the deepening of Shen criticized the unique value of criticism. Finally, in the1940s, of Shen criticized the final perfection. The second chapter discusses Shen loop interaction between the text of literary creation and literary criticism. Shen from the relationship between literary criticism and creative performance in two ways:First, the theory of literary criticism is to summarize from the experience of literary creation; First, literary criticism to promote his own literary creation, is not a simple decision between relationship with the anti-decision, but the loop interaction will sink from the text of the literary creation constantly new climax. From this point shows that the sink from the literary criticism of a continuous self-improvement, and has a creative practice. The third chapter discusses Shen from the literary criticism of the various stylistic body both with different styles. The first section of Shen criticized the stylistic form. Criticism Style of Shen preface and postscript body, the paper body, epistolary and literary essays body biography five kinds of stylistic. Here are a variety of sports specific situation. Section II discusses the criticism of various stylistic inner unity. This section is to illustrate two aspects: First, or dark or light color of the lyrical; First, criticism of the main highlights. These two actually constitute Shen Congwen criticism of various stylistic inner unity, is the main feature of criticism of Shen. Section III discusses the sink from the comparison of the the prefaces body of the text and the Zhou Brothers. I believe that Shen Congwen The prefaces body and the the prefaces body of the Zhou Brothers to emulate the Chinese modern literature. And the prefaces body of the other writers of the modern literature of their three prefaces body, significantly more features.