The Two Literary Word Of Shen Bao Supplement (1941——1949)

Shenbao has gone through two periods which are Puppet Regime and Kuomintang rule between1941and1949years. In the time ruled by the Puppet Regime, Shenbao supplement have Free to talk (Ziyoutan) and Imperata (Bai mao). Being dominated by KMT, Shenbao supplement have "Spring and Autumn"(Chun Qiu),"Literature","Literature and History","Science Week","Xue Jin","Publishing Industry"etc. In the previous period, Shenbao control by the cruel of the alien, the last period, Shenbao in the oppressive rule of the ethnic. There are essential differences between foreign domination and ethnic ruled, so Shenbao supplement showed different literary in the two periods.Being cruel command by Japan and Puppet, Shenbao supplement’s literary word’s most outstanding performance was that "saying" and "without saying". At this time Shanghai literati as the Chinese people are reluctant to advocate "Great East Asia Co-Prosperity Sphere Culture" for Japanese fascist. it was "do not want to say". At the same time, due to the specific environment of Shanghai, Scholars can not be creative and published such propaganda war works. What they can make are those living literary works, the recreations of the public literature works, theory of drama and other literary creations, which recreational public literature is mainly popular love story "Begonia"(Qiu Haitang) as well as some commercial, theater of the drama.Under the oppressive rule of the Kuomintang, Shenbao supplement showing a different literary word. The text of Shenbao supplement should have a clear and correct view, better impact on the reader. Secondly, the text of supplement should has its own thing, so that readers can contract with reality, to enhance their knowledge. The same time, the "Spring and Autumn"(Chun Qiu),"Literature","Literature and History","Science Week","Xue Jin","Publishing Industry" and Ziyoutan can complement each other. Specifically, the first is the guiding literary criticism, such as the criticism of the position of literary criticism, comments on the literary works, and the relations between literary and political. The second is the reality of literature, such as novels, poetry writing, prose writing, which is mainly in prose. Third, variety of translated literature, such as Translation of Soviet and Russian Literature, Translation to English and American Literature, Translation of French literature, and other countries Translation of literature, Fourth, the science literature and art of the knowledge-based. Five is a documentary biography of literary and textual articles. This period Shenbao supplement of literary word showing the pattern of diversification.There also have differences and similarities in the two times. They main same point is that the regime in control, Ziyoutan is not freedom, focusing on popular literature creation. The difference is that the change of the writers, literary and creative focus and breadth of impact and other aspects.Looking at the1941-1949years supplements can be seen, Shanghai literati was not give up literary creation, they involved in the process of modern Chinese literature in varying degrees, such as during the reign of Puppet, their work performance Shanghai people bear great suffering or sacrifice, showing a distinctive character. During the KMT rule, they stepped up with the times and the world, not only of literary theory, but also the introduction of a large number of Chinese and foreign classics.