Study On Luji’s Creation

In West Jin Dynasty,Literary Creation is a relatively prosperous period,which entersinto conscious period.Lu Ji’s literary style vividly imprinted in the gorgeous and delicate styleof writing of Western Jin Dynasty.Being his theoretical summary of his writingexperience,Wen Fu, is a literary theory monographs.The essay attempts to study someimportant issues in" Wen Fu", which combining the theoretical origin and background of thetime.The essay is divided into six parts:The first chapter mainly discusses about Physical meaning of relationship.It expoundssystematically the inner meaming and the origin of "Object,Meaning,Literature",andintroduces methods of solving the problem which is about"meaning is not known,theinadequate material"in the process of creation.The second chapter describes Lu Ji’s form and content view. Lu Ji introduces "Theornamental and the combined plain properties" into the theory of the literary creation and putsforward the dialectical unification of the view of form and content.The point which focusseson science on discussion of " quality",which inherits and develops the "moral"thoughts ofConfucianism.The third chapter discusses Lu Ji’s"Gan Wu".Lu Ji clearly proposes the theory of "GanWu", and first brings it into the literary creation theory.Lu Ji makes it clear that the naturewas the ralationship to the emotion when people were infulenced by the appeal of the nature，and thinks the " material" of Natural scenery connects closely with the political and culturalbackground in West Jin Dynasty the Wei and Jin Dynasties.The fourth chapter discusses Lu Ji’s "Shiyuanqing".The "Shiyuanqing"whose philosophicfoundation is from the study of "Shangshu", contacts closely with Poem teaching during thedevelopment of Confucianism. However,Lu Ji completely get rid of the influence ofConfucianism to explore the internal and essence of poetry. This chapter explores mostly thecontradiction between the theory of "Shiyuanqing " and the theory of Shiyuanzhi,the innermeaning and relationship of "qing"and"zhi"of LuJiand Shidaxu,and the link between thechange of"Trend of thought in literature and art" and the theory of "Shiyuanqing".The fifth chapter introduces mostly Lu Ji’s" Heart Tour". The chapter focuses on the basicmeaning of Lu Ji’s Tour" and the relationship toLaozhuang’s"Tour",and introduces deeplyimaginary characteristic and unique mental activities the process of artistic creation. The sixth chapter explores the rules of Lu Ji’s Plan layout. Lu Ji believes that artisticcreation is the process of Plan layout, tailoring and modification. And the realization of layoutspecific operating means is the use of the unique rhetoric.