"God" Category Of The Human Interpretation In Chinese Aesthetics

Throughout the ages, the concept of God were Valued by the ancients.Whether to show the mysterious nature of God, or to describe a certain value of human,The expressive power of God is always standing in the areas of special concern of the people.We know that Chinese classical aesthetics is the philosophy of a people as a core value of the experience, and God is always concerned about the person’s present life situation.Therefore,for the development of God and the stage of research and exploration,for different manifestations of God in different contexts,for God in the medieval development tracking showing national characteristics and philosophical implication,This confirms that God’s course of development is typical of the mental demands of the Chinese classical aesthetics.Before the Southern and Northern Dynasties,the sight of God’s thinking is the philosophical meaning of God.That is,the meaning of God is showing the concept of depending on the natural God about the human destiny.This section focuses on two aspects:the one hand is the pristine nature of God worship,Which reflect the emotions intertwined of the images and change between man and nature.On the other hand is the Chinese ancestor worship of God, Which reflect the three stages of the relationship between man and God:from the God and human in harmony to the people of mixed with God, and to the people keeping pace with heaven and earth,in order to gradually highlight the charm and self-worth.Second,with the deepening of Confucianism and Taoism to explore the natural Shinto.Moreover, the Xunzi proposed the important concepts of the Ming in Tianrenzhifen deeply rooted.The one hand, God’s ideas appear natural.On the other hand the ancients can be obtained from natural philosophy.And the ancients through the development of the teachings ceremony to serve the social rule.when the Confucian Sacred become a timeless tradition.The human body and mind that the external shape and internal air has become the object of concern.So the ancients emphasize human initiative,concerned about the characteristics of the natural reason of the main human life.God then extend two fringe concepts:ghosts and gods and the concept of form and spirit.The southern and northern dynasties period is god inoculation critical period of development. The development of god is complex and changeable. Due to the metaphysics and delicate literati personality pursuit; Buddhist monks against a big discussion about the concept of God eternal; Further improve the Taoism disciples fairy lineage and beliefs of Zen focus on inner epiphany,God obtained opportunity for the conversion from outside to inside.In this sense,the concept of God by philosophical perspective began to transform to the religious and artistic perspective.Finally, God’s theory successfully applied to ancient painting, calligraphy, music and literature, poetry, drama, and other literature and art.When God came into the literary and artistic creation, God then be given the highest state of the art assessment.God not only has a pure supremacy in the art Creation Idea,images generated and the realm of rendering, but also for the creators to establish a unique personality, taste, style, temperament, and conservation values.God in many areas of the art, music, painting, calligraphy, literature, poetry and melody, lyrics, received a wealth of development. And thus the charm of God and appreciation of the realm, repair, friendship and loyalty, ideals, and temperament are closely linked together.