"New Painting Movement" In Guangdong During The Painter Artistic Characteristics And Ideological Charactetistics

Art development to a certain extent, will experience the times andpractice test, Chinese painting has long since Oriental painting artcontext, the representative, the Chinese nation is the essence of theart of painting reproduction. Twentieth Century Chinese painting artthrough the difficult years, contemporary Chinese art has three mainstages: one is the gold for seventeen years; two is the CulturalRevolution ten years revolution; three is the period of reform andopening up the new society, the three stage summary reflects China’s artcareer start, development, prosperity, decline, turning process. Reviewof the development of Chinese painting history Guangdong Guangdong sincethe end of Qing Dynasty, until since the founding of new China, thisperiod is the Guangdong Chinese painting art to break through thetradition to the modern an important turning point in the culture, wayof thinking and the art of painting change always walk in the forefront.This paper mainly studies after the founding of the" seventeen years"namely "50-60" new Chinese painting after exercise in Guangdong countryartist artistic characteristics and ideological trend and pattern of YeZheng, twentieth Century is our country economy, culture develops, inthe coastal front Guangdong South of the Five Ridges painters in the"Chinese painting movement" for reform, advocating the combination of thepainting art, encouraged the young generation in China painting theme,content, form of tradition of slam the door of convergence with the times,take on the inheritance and innovation of Chinese painting in the mission.It is in this historical context, Guangdong painter in the" Chinesepainting movement" in Chinese painting of the" new" and" old" argumentsplayed a strong role in the guidelines, followed by the Guangdong Chinesepainting creation and creative ideas in the society at that time was in a leading position, reflect the multiple the coexistence of state. Forthe50-60age Guangdong Chinese painting development similarities aswell as having bright, intense ideological characteristics? This paperwill focus on the proposition.