| In Chinese ancient literary aesthetics, the "Xiang" symbol, not only symbolize theobject form and expresses something meaning, but also contain hidden for all things theway of change the unique understanding. The "watching for images" of The Book ofChanges is not taking objects as objects by imitation, but in the view of pitching with thechange of the way of all the Xiang between looking down at and looking up to."YuXiang" is an artist intended, the words and meanings of the fusion of body, focusingon the "Yu" that things of some kind of meaning or change the object of all things. TheYuXiang from the text of Zhuang zi and Lao zi is not fixed object, it does not exist,forever in the unreal changes, and such as the way all and not generally generation bygeneration. In the text of " Zhuang zi ", constantly get easier, and the formation of theYuXiang become day, people the way of the coffins. The YuXiang in,"breathtaking"because of its deep and wide, the characteristics of large and more peaceably unto with thetao. The breathtaking YuXiang as speech way carrier, is no ready-made image, but has theoriginal hair, return the thought of life and live features. And the YuXia ng; accordingly,the way of life is the deep on original mechanism. People in the abyss in, and the deep, thecontext is a word to each other, caused by the relationship between each other super cut.This abyss all the way but really living quarters. Because the heart has the consciousnessof people have side, and make the dao cultivation was constantly consciousness boundheart. How to house Yuan heart, how to let way in one’s life implement the down inZhuang zi here is roaming in art, like a fish swim to the river’s lake as a return to the lifeof the deep silence. Forget the people uncomfortable, the hole in the search for lifeopening of cruising, life associated with the host, going peaceably unto according withTao. |
