Chinese Modern Flower-bird Painting Pen And Ink Language

China is a big country with a long history of traditional art culture. Chinesetraditional painting art has become China’s historical and cultural symbol whichenjoys a certain reputationart in the world culture art platform. China’s traditionalpainting works pay more attention on the depiction of image,and the beauty of artisticconception has already become the process of painting a beautiful" scenery line", alsobecome our country drawing symbol. In this journal, the author mainly studiesChinese painting in the art of painting freehand brushwork of flowers and birdspainting language, which analyzes the modern flower-bird painting,pen and inklanguage features, also analyzes the contemporary impressionistic flower-and-birdpainting style and personality.Finally The author analyzes the text value and the inkapplication problems. In the modern flower-bird painting,pen and ink languagefeature is divided into three points elaborated: the plain thick clumsy artistic effect,rich colors, suit and the common people in the art realm. In this journal, there arerespective works researches for Wu Changshuo, south of the Five Ridges school, QiBaishi, Pan Tianshou. In modern flower-bird painting style and personality elaborated:flexible and diverse style, rich colors, unique frame structure, in this paperrespectively for He Shuifa, Gan long Lin, Xiao Shunzhi and some other paintingsfamous works make an analysis.Chinese painting freehand flower-and-bird paintingmore and more attention to the picture the significance of innovation, but also in thehistorical experience for the future direction of creation in the constant innovationunder the guidance of philosophy. Chinese painting should actively recognize thecurrent state of development, and the Western cultural integration, the correctintegration of Chinese and Western culture the different advantages, actively tochange, the innocent and the modern inspiration can help painting strive for further improvement.