| The vagrancy theme in literature had been generated since ancient times. From theOdysseyã€Don Quixote, as well as the20th century’s master piece of "wilderness" inthe Western literary world, to the “hidden world of mountain and water†in TaoYuanming, Li Bai, and some other Chinese ancient writer’s eyes, and still to the“remnants†images in the writing of Yu Dafu in the May Fourth period, vagrants, alongwith their very own wandering temperament and ideological level, have never beenstopped. Since the vagrancy theme is a worldwide literary motif. And now comes to thenew period of Chinese literature, the1980s and1990s, this surge of literary wave ofre-emergence of attitude and outlook is more rich and prosperous. Chinese literature inthe new period have emerged a large number of stray awareness of writers and literaryworks that constitute the theme of wandering that maintain the performance of this themeduring this special period of time. Zhang Chengzhi, Zhang Wei, Wang Shuo, Zhu Wen,Ba Qiao, San Mao, as well as a large number of writers who reflect the Chinesecommunity life in foreign worlds, all those writings and works is the main object ofstudy attempts to analyze and explain its inner spirit and literary significance. Althoughthis group of writers is not only the Romantic school, but also realism class writers, andliterature genres is from novels to essays,ranging from a wide range of themes. Therewriting perspective, writing themes and direction are not the same, however, in theirbody, there is an identical temperament and spiritual core, that is, the Rangers’consciousness. No matter the cosmopolitan "heroic" characters, or people that hidden inthe marketplace a small town in the little ruffian, or the one who alone wandering in theexotic city-state, they are all belongs to the wandering theme in literature.In this paper, except the Abstract, Introduction and Conclusion, there are totally fourchapters. Chapter I started from the origin of the vagrancy theme, summed up the themeof creation of the new era stray source where from the simple outlines and analyzes onthe theme of wandering in the classical literature of the East and West.The second chapter describe the “distance†images in the new period of Chineseliterature, that the wanders try their best to seek and find. As long as there is a ranger, inevitably there is a corresponding destination existed. Described in this group of writers,the image of the "distance" covers a wide range of both entities geospatial base, andillusory mental situation. Whether rural or urban, is full of rich ethnic customs of the landor spiritual regression Utopia, the Rangers are to the hearts of the distance and pull offthe exodus.The third chapter analyzes the images of the vagrants in the in the new period ofliterature. This group of vagrants constitute stray conscious subject, the writers expresstheir ideas to the object and implementers. They mainly include the pursuit of the truestate of life, sticking to the painful past, and loss of free persons that floating in theoutside world.Chapter IV analyzes the meaning point of vagrants and their vagrancy awareness.Also the limitations and shortcomings can not be avoided. Freedom and liberation of thedescription of human nature is the most meaningful part in wandering theme. At thesame time, it brings us many of the secular and social reflection and questioning. Wellthere are some very obvious defects of depletion and distortion. |
