On The Connotation Of Regional Cultural "Bailuyuan"

Shaanxi writer Chen Zhongshi’s " pillow coffin "--" Bailuyuan " published since1993by the delay for a long time attention. There are many papers on the writer work carried outin-depth research, mainly focused on cultural studies, social history studies, women’s studies,comparative literature, art research. Especially radar " ruins of the spirit-<plain) on " candemolish with penetrating criticism, grasp the soul of the work. There are other equallyprecise paper analysis, for understanding and study of " Bailuyuan " are of great referencevalue. But in general, or the lack of by content and person on the connotation of regionalcultural studies, but also to the " plain " film adaptation research is still a blank.This article attempts from three parts to analyse " Bailuyuan " regional cultureconnotation. First object as the breakthrough point, the Guanzhong imagery and Guanzhonglanguage as a unified body to illuminate " Bailuyuan " rich regional culture characteristic.Then from the main point to appreciate the writer’s " local complex " and the life experienceof " Bailuyuan " rich regional culture features and profound impact; and then explore "Bailuyuan " figures reflected the unique Guanzhong regional cultural spirit; and furtherexpand the " Bailuyuan " new areas of research--" Bailuyuan "(film adaptation Guanzhongregion culture exhibition), as the text of the novel into film imaging provides strong evidence.Through the first part of the analysis, aimed at the adoption of " Bailuyuan " hascharacteristics of Guanzhong imagery and language to Guanzhong, static displays the richregional culture characteristics. The White Hart, griddle, ancestral these very landmarkimages, with their potential cultural symbols and symbolic significance for people to know,understand, in Guanzhong provides a possible. While the language is the writer thoughtimportant carrier of culture, by having the character of language and narrative analysis oflanguage, especially the writer to " red " preference and use, so that we can close observationin the people daily life and character, will rich off of geographical and cultural characteristicsin the invisible into the reader reading experience. The second part, mainly from the humanpoint of view to analyze the " plain " is the spirit of regional culture. What say here " people ",which not only refers to the writer, also works in the description of the characters. Based on the author ’s experience and local complex and his life experience and artistic experienceanalysis, a detailed analysis of " Bailuyuan " rich in regional culture style forming subjectivereason. Through the works of two kinds of character--" Bailuyuan " male and female rebeldefenders of psychological analysis, the main reading " Bailuyuan " rich in Guanzhongregion culture style formation reasons. Through the third part of the analysis, keybreakthrough " Bailuyuan " video adaptation of the blank. The Shaanxi book of directorQuanan Wang novel " Bailuyuan " selection and re creation, rich in style by audio-visualintegrated display. This chapter will from the faithful to the original film, and the colorselection and simple processing, women’s predicament and the circular narrative three angleof " Bailuyuan " video adaptation of the gain and loss, is a classic novel successfully adaptedfor film image to provide the theory support, further confirmed " plain" on Chinese realismliterature important contribution, as well as Chen Zhongshi novels in China’s modernizationprocess has a positive meaning.