New Generation Of Oil Painting Language Intergenerational Research

A kind of any thoughts formation is not isolated existence, it andsocial background, ideological and public opinion, science andtechnology changes are inseparable. Oil painting was introduced intoChina, has experienced a lot of expose to wind and rain, in the new era,the life of calls, Chinese painting field be raging like a storm. Especiallythe group born in the sixty or seventy’s new generation art cut a strikingfigure, through their distinctive artistic symbols to express personal andsocial contact, based on image symbols relating to the generation ofoverall mental outlook.“Generation” as the anthropology category, in art began to becomemore and more prominent, and as since the innovation environment andculture of the new generation, their artistic expression to get rid of the“three outstanding literary policy” of misleading, received formal artcollege education, no previous generation collective sense of mission andresponsibility, to be the lucky generation, they are turned to focus on theperspective of the realization of personal value, in art shows and on thegeneration of artistic language, forming a personalized art symbol.Taking the Cenozoic Oil painting as the starting point, the paintingsof intergenerational relations to carry on the analysis and the research, identify each epoch painting is unique, because each time socialbackground, the different culture context, created Chinese oil paintingcreation and artistic language and rich diversity.The article mainly expounds from five aspects. Firstly, to the macrooverview, including the background, cause, purpose and significance.Secondly, determine the Cenozoic Era definition and division, elaboratedthe new generation of several forms of painting language. Thirdly, onintergenerational made a through and systematic analysis of influence onintergenerational relations, the social background, social economy,culture factors, integrated its cause of formation, find theintergenerational in art forms. In fourth, according to a new generationand the generation of understanding, this chapter is the main content inthe Cenozoic Oil and new generation artists as the starting point, furtheranalysis of the new generation of oil painter with the first generation ofartists in the art forms of presenting intergenerational, cite representativeCenozoic artists and represents a generation of oil painters do comparison,form the living environment, social culture background, language,ideology and other aspects of comprehensive interpretation in thegeneration of oil painting art. In fifth, summed up the intergenerationalinfluence to the art, as well as to the future development of art.In conclusion to the Cenozoic oil paintings as the basis, for thedevelopment of oil painting in China changes, intergenerational changes to also become a form of painting language innovation essential factor,also proved the Chinese oil painting by its unique artistic form in theinternational standing heel.