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Based on the famous singer BaiYin Mongolian tone of chagan as the researchobject. BaiYin chagan is WuDa zhao style of folk song singing tone representative.His tone for Mongolian folk heritage and development has devoted his whole lifepainstaking care. The author of the BaiYin chagan growth environment, singingcharacteristics, art has to do the thoroughunderstanding and research. Full textintroduction, text, and by the end of three parts. The text of the three chapters.The first chapter three parts, respectively BaiYin describes chagan differentexperience and learning and in the process of Mongolian folk singing tone. Thesecond chapter three parts. In the first quarter of BaiYin interpretation of the researchofchagan singing style and artistic characteristics. In the second quarter BaiYin recordof chagan CD of the16chief analyzed, to discuss the BaiYin chagan singing style andskills. In the third quarter BaiYin proved to WuDa chagan showa tone of folk heritageand development contribution.The third chapter BaiYin try to talk about the tone of the folk song singingchagan the effect of the creative thinking, and to record the social from all walks oflife experts and scholars on BaiYin chagan of art and life happy memories ofevaluation and arouse the inheritance and development of chagan BaiYin relocatedthe tone WuDa singing folk songs style characteristics. Finally tells the story ofMongolian folk songs BaiYin chagan tone heritage and development offeroutstanding contribution.Epilogue part describes the gratitude.