The Meaning Behind Music Ontology

There are no doubt that,the Chinese traditional music has the same music ontology central feature are consistent, connected both an objective reality, and possessed a profound historical and cultural connotation. In this Thesis, compared with Hebei yinyuehui and Xi’an guyueshe,two types of music society music, aims to explain how the body consistency is hosted in membership, and music membership after the disintegration of the professional music groups of the traditional music of the "folk" culture generated a substantial impact.Hebei yinyuehui and Xi’an guyueshe community are the same music organizations, always with some kind of "faith" to become attached to the order of the worship objects are mostly countries li (good fortune) category. Ming and Qing Dynasties, in the interaction of the state and the private sector, the object of xiao si from civil select, rising, included in the national sacrifice. The country hosted original musicians Lile, both official and folk beliefs are in the official music folk pick derivative process, the organization of the club gradually extended in the literature monk, said ceremonial music part from the country, music, these two, and have inherited from the ceremony to the music; clubs ceremony of the source of the music, so show the two music connected to the social integration of significance.The two clubs and faith combined with the concept of "playing for God", leading to the relative stability of the band compositions and songs. Clubs combination of musical instruments and music from the traditional "national" significance from its instrument shape, Palace conditioning system there are both similarities consistency, advocating folk music development process variation. Combined with Sheng pipe band music mechanism should17seedlings sheng, abalone tube with the seven notes of the existence of one, this identity became evident Music Club music system in two places. Evolution in the development of hundreds of years, there has been outstanding sheng missing characters pores out of position, resulting in scale changes in the form and missing seven tune situation."Where","feet on behalf of the hook way to five or six generations, the club hosted scale form, first in body characteristics such as a significant impact. The same song different name changes, the use of of playing practice "by the word" practices, both associated with the seven adjust the structure, subject to Sheng wind instrument shape.In summary, two places, the current music society are folk belief ceremony with music as the main feature, the object of these folk beliefs in the Ming and Qing dynasties for the significance of the national small worship, ancestor worship music from the countries hosting the main access derivative,so whether it is the ceremony or music norms and band compositions, songs and sheet music, Palace conditioning system has a connotation identity, Le registration system after the disintegration of the two music society on the traditional pick derivative carrying process in a relatively stablehave had a certain degree of variation, Discrimination in this article that this variant of the process. Of Hebei yinyuehui with the Xi’an Guyueshe community, the current carried by the main body of music, both interlinked consistency have variability, highlight the Chinese musical culture "traditional" in the moment of accumulation.