A Study On The Ensemble Of Zhangyubao Of Taiping Taoist Music In Guangzong County,Hebei Province

There is a folk music variety in Guangzong County,Xingtai City,Hebei Province,which is called "Tai Ping Taoism Music".It is said that the emergence of "Taiping Taoist music" is related to the "Taiping Taoist" founded by Zhang Jiao,a man from Ju Lu County in the late Eastern Han Dynasty,from which the name of "Taiping Taoist music" comes.This paper takes Zhang Yubao,the most representative “Tai Ping Taoism Music” artist in Guangzong area,the music class with Zhang Yubao as the core,the performance of the music class and the spectrum collected by the artists seen during the investigation as the research materials and main research objects.Through the classification and tracing of the use of music,this paper analyzes the relationship between “Tai Ping Taoism Music” ceremony and music,the characteristics of music use and so on.This paper consists of three parts: introduction,body and conclusion.The introduction includes four parts: the reason for choosing the topic,"the research status of Taiping Taoist music",the significance of choosing the topic and research methods of this paper,combs the existing research results and research priorities of this music,and analyzes the weak links of the current research.The main body is divided into five chapters.The first chapter introduces the historical and cultural background of Guangzong area,arranges the emergence,evolution and development of "Taiping Taoist music",and clarifies its historical development context.The second chapter mainly analyzes the artistic characteristics of Guangzong “ Tai Ping Taoism Music ” from the perspectives of musicians,musical instruments and performance forms,and introduces the forms and characteristics of this art in detail.The third chapter mainly analyzes the spectrum collected by the musicians of Taiping Road in Guangzong area.Including gongchi score book and gongs and drums Score Book(i.e.bronze Score Book),this paper traces and classifies the Qupai and repertoire included in the score book,so as to understand the origin and composition of Guangzong Taiping Taoist music.The fourth chapter starts from the use occasions of Taiping Taoist music,and makes a comprehensive analysis of the use occasions and music.From a contemporary perspective,the fifth chapter first arranges some Taiping Taoist music classes,then summarizes the current situation of the living space and survival mode of Taiping Taoist music classes in Guangzong area,and analyzes the reasons why Taiping Taoist music can spread and develop here.The conclusion part expounds the shortcomings of the article and the places to be improved.