| " The natural landscape of the concept of" relative to the" landscape" concept is morescientific, because the feeling of the subject landscape containing composition, and paintinghave a close relationship. At the same time" landscape" is a word with the unity of theobjective and the subjective meaning, subject and objective natural unity is the artistic spiritof China s. Regards contemporary depicting natural landscape paintings as the research object,and it is limited in a specific region-Guangxi, pointed out that this region of the painters andtheir works in the overall features, and discusses the characteristics of the formation of thereasons. In a number of reasons, mainly from the psychological structure of national cultureon the artist’s influence inevitably this point of view, analysis and presentation of traditionalartistic spirit of contemporary landscape painting and positive significance.This paper consists of five chapters. The first chapter is on the present status of naturallandscape paintings and a brief review of its nearly one hundred years of development process,as well as the landscape concept is presented and the provisions of the article discusses thescope. The second chapter briefly summarizes the natural landscape paintings in China andEuropean history. The third chapter is the core part of the paper, and this paper focuses on thepart, in this chapter, author discusses the natural landscape painting, the first second naturaland natural relations, the national culture as well as the objective existence of heart structure.In addition, it briefly discusses the natural landscape painting at present social significance.The fourth chapter as arguments, theorists to Guangxi area natural landscape painting causesslightly sparse release, and the representative painters and works description and presentation.In the fifth chapter, theorists generally think of their future practice of painting Road, becausethis only large profile, so Jane for a day. |
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