The Development Of Chinese Oil Painting "Culture"

In the economic globalization and integration with the world today, various schools of artgradually arisen, Chinese oil painting in the world by various western performance art,concept art, media art and installation art and other art trend impact. Chinese oil painting ’sdevelopment and localization is worth the time engaged in oil painting artists and thoughtfultopic. How to make the Chinese oil painting in the new situation to establish his own futureart trend, the trend of the times, in the world of art has a space for one person, is placed in theartists of the prime task.Since the western art with western culture spreading in China, Chinese oil painting hasexperienced exploration, development, absorption, integration, as well as to the Chinesetraditional spirit regression process. In each period, each stage, there are a large number ofartists for the nationalization of oil painting and Chinese painting development made apositive exploration and research. Their efforts to validate the Chinese oil paintings to an artworld of the forest, it must be in the succession of traditional Chinese culture on the basis ofpositive and learn from the lessons of modern western culture, art rooted in the nation’s life,with the nation of" culture" as the foundation and source of art creation, with the times. Theonly way to maintain permanent and vitality of Chinese oil painting.In this paper, from the development of Chinese oil painting process, search in Chinese oilpainting development in every phase in the national" culture" as the basic arguments, to provethe" culture" in Chinese painting development inevitability, as well as to the " nationalstandard" for the foundation of Chinese oil painting prospect inevitably broad. Papers fromthe Chinese art of" culture" on the development of Chinese oil painting, the" culture" ofcurrent Chinese oil paintings in the clue," culture" to explore three aspects of" culture" in thedevelopment of Chinese oil painting a decisive role. The" culture" as a cue in the form ofChinese painting throughout the whole development process, for each process in the emergingartists and works of art were summarized and analyzed, explored them in the artistic creationof the national spirit, national and ethnic connotation of" culture" as the foundation of thephilosophy of art. Through several generations of artists on the nationalization of oil paintingand Chinese painting of active exploration and thorough research, the nationalization of Chinese oil painting ’s development trend gradually expanded, and in the world of artgradually formed a trend of thought in art. At the end of the thesis, based on the predecessors’experience and inspiration, put forward Chinese contemporary oil painting development inhow to construct the national" culture" advice and opinions.Chinese oil painting to the art in the world to seek a way out and made a permanentdevelopment must have" Chinese taste","national standard" for the foundation, Chinese oilpainting show" nationality" and" era". The concept of art is the requirement of the times,different nationalities, different times inevitable given different artistic connotation, which isthe natural law of art development. However, the development of Chinese oil painting alsoface a lot of difficulty and problem, just rely on Western oil painting techniques, blindlyfollow and imitation of the Western genre of art philosophy is not feasible, this is also a lot ofChinese youth oil painting are the biggest problem.China is a country with5000years of culture, with strong national culture essence ofChinese painting, the development prospect is broad. Therefore, we should better carryforward the essence of Chinese traditional culture, in the contemporary cultural life tocultivate special creativity and pioneering spirit, to create a national characteristics, conformto the trend of the times of the works, such ability make Chinese oil painting in the world artstage talent showing itself, coruscate to give new luster.