The Research On The Development And Orientation Of Humanity Condition Representation Of Chinese War Films

Film is a kind of category in art which is also a combination between modern science andtechnology and art with the development of industrial civilization in modern times. Artisticexpression means focus on aesthetics and human. Reviewing the masterpiece of worldwide warfilms during the centuries, it is a crystal clear that none of these films is not concentrate onhuman created and then express the essence of war, the history and the humanity raised ininhuman war. The reason of these outstanding films is not for the grand war scene display, butthe fresh character that embody the humanity and the value of life respect, so that rouse thehumanity in cherish, mercy and gracious.Through the summary of each period in the course of development of Chinese war films,analyze the good and the bad in representation of human condition and specific skill apply, andthen give the suggestion for the direction of going forward for Chinese war films. The three partsof mainly contents are as follows:First, on the basis of the change of social and economic background, and representation ofhumanity condition, divide the period of Chinese war films into five parts:1930-1949;1949-1978;1978-1989;1989-2000;2000to this day. This divide way concluded the line ofChinese war films on the representation of humanity condition, and factor of influence forcreative condition.This thesis pays close attention to discuss the way of expression in war films, and give thecrucial point that the representation of humanity condition should be the principal part in artexpression in war films produces. The main ideas include:1. Representation of humanitycondition is the core in war films;2. The conception that humanity condition in war films shouldbe in the dominant position;3. The authentic representation in condition. Representation of humanity condition is in the charge of limited circumstance. Through the explanation of filmmade specific skills in the films of <Purple Sunset>,<City of Life and Death>,<The Flowers ofthe War>, raise the theory into practice.It is an essential aspect for humanity presented of war films on the background ofcosmopolitan level. During the long term forward stroke of Chinese war films, the more films wemainly created for humanity presented, and the closer we reached the world approved level. Thisthesis explains the core value on representation of humanity condition of western war films bysome case analysis. For the advance of Chinese war films and going forward to the world stage,it also gives the constructive suggestion that put the nationalization into internationalization.