Natural Form Of Language In The Art Of Ceramic Design

Since the beginning of human civilization, from the large-scale human activities to theconscious creation of today’s mature artistic practice are kept by the nature of inspiration andgreat influence. From ancient times, nature is both art and design activities, the eternal sourceof inspiration, but also art and design activities over Chengzhong Yong performance withoutlosing the charm of the object. Diverse nature of patterns, colors, materials and other elementshave been affecting the development of art and design, while nature has been designed by thearts community and art theorists attention. Therefore, the natural elements of the study anddesign of the arts has long been an important issue. The natural form of language as a naturalelement from a variety of important breakthrough in the form of artistic expression, from theStone Age human society today, the original totem worship to be able to be clever in all areasof application design, natural language has been in human form artistic creation activities playan important role.Arts in Ceramic Design from the natural form of natural language morphology, structuralanalog applications, is inspired by nature results. Whether in the shape of the original ceramic,ceramics traditional or modern style ceramic shapes, we can see the shape of the shadow of alarge number of biomimetic ceramics. This form of integration of a large number of naturallanguage, to “imitate the image of life” as the main form of artistic expression in the form ofceramics has been widely welcomed. As an important reference for ceramic shape, naturalform of language in the past, present, and will remain in the ceramic art design shown strongvitality.The main contents of this paper is based on ceramic design and art in the natural form oflanguage content, form and evolution of research, complemented by the design of ceramic artin the natural form of language and Western ceramic art in the natural form of the designlanguage of comparison, interaction, influence and even the mutual penetration of the analysisprocess, proposed for the design of China’s modern and contemporary ceramic art in thenatural form of language, views and recommendations with a view from the perspective of abetter understanding of the theory and practice the art of ceramic design and make it a naturalform of language for understand the evolution of ceramic cultures, guiding the developmentof ceramic design play an active role.