The Research Of Auspicious Graphic Heritage And Modern Environment Art Development

With the richness of the21st century’s social and material life, people pay more attention to the needs of the spiritual life and the human settlements’living landscaping. Whether it is urban development or residential construction, or even home decorating,all needs design. The basic necessities of people’s lives and the design are also closely related and the role of the design will be given full attention in all areas of society. The design is an art, and it is also a culture, it can nurture and guide people to enhance their quality of life in a brand new way.The21st century is also a highly developed information age, the Internet has shortened the distance between the countries, The innovation and development of IT is to lead the world to accelerate the transition into the knowledge society, the international characteristics of the commodity market is increasingly active, all kinds of genres of design style begin to penetrate into every country in the backdrop of global economic integration. The differences between the nations, ethnics and regions are getting smaller and smaller. The design patterns also began to move toward integration, which to some extent will lead to the regional and national culture suffering a tremendous impact and challenges. Whether it is the integration of Western design style or a wide range of design, we must integrate the development of China’s environmental art design with the Chinese traditional culture with thousands of years, apply the profound meaning of the traditional auspicious element to the modern environmental design flexibilly, and transform them into the folk art style with Chinese characteristics, We can walk out the way of a distinctive national character, and adapt to the road of the modern international trends. After all, the more the nation, the more the world.Only to fully tap and flourish the nation’s traditional and long-standing culture, to look for design material from the traditional cultural elements, and combine it with the formation of the ideological, historical and cultural origins, and the resulting form and shape features, try to find the relationship of the auspicious graphics and modern ringArts design, then come the best way of auspicious graphic heritage and development. In this sense, we can serve the local design and the national characteristics of the design and also enhance our international competitiveness.If the Chinese nation want to develop, to be strong, be sure to let our nation’s traditional culture to carry forward. Of course, in this effort, we need to know the positive significance of studying classical decoration graphics in carrying forward the traditional culture. In the field of art and design, we want to create the concept of adhering to the constantly update in the historical development, but also absorb the essence of classic ornamentation, and to grab the most valuable thing in the classic and actual recreation process. Chinese classic decoration graphics are obviously the undisputed cultural treasures of our nation’s, the understanding of classical ornamentation graphics is the professional quality of everyone who is engaged in artistic creation, we must know classic ornamentation graphics is the major factors of the design.to constitute the current art No sense of innovation, we can’t talk about development; No pioneering spirit, so what is progress! And this precisely tell everyone engaged in the work of artists to be able to keep crude refined in the profound cultural heritage, and thus push our contemporary design standards to a new level.