The Unique Painting Language-Cezanne Figure Painting Research

Paul Cezanne as19century after the French impressionism delegate painter, hefor modern painting made outstanding contribution, to understand the modern artmust first reading the art of Cezanne, his painting whether still lifes, landscape orfigure painting in shocked our vision, to reveal the nature of the painting. He hasspent in the pursuit of the nature of "real" performance, therefore, also creates a seriesof unique painting language. The language broke the bondage of traditional art,rejected the traditional3d perspective, the picture for color and contour line carefularrangement and show a new painting space. In order to achieve the painter heart"natural", Cezanne picture of the formal beauty to explore showed great enthusiasm,tries to achieve the balance of forces in the picture, makes the picture harmonious,have sense of order. Cezanne proposed "ZaoXingGuan to modern painting has had ahuge impact he therefore are also known as the father of the modern painting, openthe beginning of modern painting. This article, from the start of his figure paintingworks, the painting language system, and try to understand the painter in the works toconvey in the philosophy of art.This paper from four aspects of the figure painting works Cezanne used inpainting language to carry on the analysis, the first part of the narrative Cezannefigure painting works style evolution process, by understanding he figure paintingworks until today we can understand the development and change of the concept ofart painter, so as to understand his art; The second part is to Cezanne works colourexpressivity exploration, this paper analyzed the colour and body shape and therelationship between the screen space, which also penetrate the stroke and the thindrawing exploration, so as to analytical Cezanne picture of color in expressive andappealing. The third part of the work from analysis of modelling structure, especiallythe geometrical form in its use of the image, and in the meantime on the imageperspective, to explore the form, so as to further understanding of Cezanne paintinglanguage understanding. The fourth part discusses mainly the painting art of Cezanneof cubism was the influence of painting, analyzes the between both of the same anddifferent, for that part of the analysis of the content is actually Cezanne painting language and the idea of painting a supplementary argument, so as to deepen ourunderstanding of the Cezanne painting language understanding of modern art andmade great contribution.