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Harmonious Yet Different

Posted on:2012-09-08Degree:MasterType:Thesis
Country:ChinaCandidate:Z F WangFull Text:PDF
GTID:2215330368493886Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
The Contemporary Chinese painting is strong momentum of development of various Ehibition, throughout the osce color vision, its work is, bright is dazzing. It is no doubt that contemporary Chinese figure painting the overall level of anti-static ever have been improved greatly, one of the most prominent feature is started towards the plural pattern development. In all kinds of exhibition, the contemporary Chinese figure painting shows disparate style of work, with drawing can be roughly divided into sexual forbid works, "disconnection works, decorative works and conceptual works. In a certain sense, completely broke the reason to relatively single rigid manners of pattern, highlighted the new era of individual character style. A, sexual works. This work has not only is modelling sense of realism, more is by an emancipation of the mind and brings painting subjects of depth excavation. Two, "disconnection works. Chinese paintings speak implication, speak appeal, this is a general. A very long period of time, it is generally accepted that the avatamsaka sutra is exclusive, in fact, ink paintings belong to the category of Chinese ink painting, which are in Chinese culture background in the development of innovator, regardless of Chinese ink painting or conveys breath speak implication of appeal, simply because expression differences and show works form different just. Contemporary Chinese painting is the grasp of Chinese painting the aesthetic interest in deductive new period of freehand brushwork spirit. Three, decorative works. Such works in beautiful forms on the pursuit of more appealing. Four, the conceptual works. Cultural diversity, culture blend and clash, plus today such ideology relatively loose, the artist full expression to the space, so such works both in schema or from the mental state on relatively with traditional appear more innovative. The different styles of is diversification, the necessity of the development of diversified phenomenon, then, the essence of what? The author thinks, form of language mining and the exploration is the fundamental diversification, so the artical further to Chinese figure painting form language made detailed discussion about in respectively, the formal language modelling, colour (including material), composition of three aspects related elaboration. The paper also mentioned the artistic forms of the interaction between and reference that now is very common and realistic, this exchange promote more contemporary Chinese figure painting of diversification development.Chinese figure painting in the diversified development makes his ideas of painting and drawing language of a series of the profound reform. This research results for the development of traditional Chinese painting to clarify and contemporary Chinese figure painting the inheritance and development and reform, construction with Chinese characteristics of new era of art undoubtedly have positive significance.
Keywords/Search Tags:Diversified appearance, Formal language, Modelling Constitute a space, Colour
PDF Full Text Request
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