Rea On Chinese Buddhist Painting Decorative Nature

Buddhism is one of the three major world religions, originated in ancient India. AncientIndia territory covers what we say in India, Bangladesh, Pakistan and Nepal and othercountries. Between five and sixth Century BC in ancient India by the Kapila Kingdomfounded by the prince, after people called the prince Sakyamuni, which is now known as theBuddha sakyamuni. This religion in the Western Han Dynasty earlier period of East HanDynasty at the end of "widely circulated in china. Buddhism in Chinese history of thedevelopment process, and constantly in China become the most remarkable characteristic ofhistory and culture. Since the introduction of Buddhism ’s two thousand years so far, it is aprofound impact on Chinese traditional ideology and culture. However, as Buddhism itself, itis not a kind of isolated from other social factors of simple faith, two it with different times,areas of philosophy, folk custom, social moral, political and economic culture and literatureand art together, and in their mutual infiltration, mutual fusion of a Buddhist culture. Butalong with the Buddhist culture in-depth, followed by the Buddhist painting art developmentand prosperity. Buddhist painting early also originated in ancient India, initially withBuddhism was introduced into China from the ancient India. Later in China has graduallydeveloped with the Chinese democratic style and unique characteristics.this paper focuses on the mural form, content, color, lines, decorative artistic featuressuch as the great achievements of the in-depth and meticulous research, also want to take thisto the Chinese Buddhist painting, especially the painting decorative art and style to do furtherexcavation and comb. This article mainly from a, from the Buddhist paintings; two, the use oflines; three, form the constitution; four the use of color; five, Buddhist painting murals artgenerated reason; six, the grotto art decoration of modern decorative painting on the meaningand influence of the parts is illustrated and discussed. Through several aspects of this topicresearch and carding, as far as possible the Chinese Buddhist painting decorative appears infront of the public, so that everyone on our country’s Buddhist painting art, especiallyBuddhist painting decorative have a preliminary understanding and the understanding, alsothis paper can partially engaged in decorative art scholars provide more valuable referenceand reference. Of course, this article also emphasizes the Buddhist paintings in thedevelopment process of localization. Its development, creation, and innovation areinseparable from the Chinese traditional culture essence of the inoculation and nourishing.