The Application Of Formal Aesthetic Sense Of Line In Chinese Painting In Contemporary Decorative Painting

Linear consciousness,which exists in our culture for thousands of years,it not only constitutes the unique and meaningful formal language of Chinese painting,and it is also an important factor in the form beauty of contemporary decorative painting.Chinese painting lines not only can be used in traditional Chinese painting,after a long time of Chinese artists art practice,make Chinese painting lines have more rich expression and fusion in various painting forms.Contemporary decorative painting pays attention to the expression of formal beauty and planarity.The western modern theorist Wehrlin once said that "the plane belongs to the line",while the planarity of Chinese painting is the innate attribute in accordance with the nature of the Noumenon of painting.Chinese painting is the innate attribute of the nature of the Noumenon of painting.Can always be said to be the art of line,thus,the importance of line in contemporary art.Therefore,under the background of the new era,the unique artistic form of Chinese painting is still of significance to study with the aesthetic concept and artistic techniques of modern people on the basis of inheriting the tradition to innovate and develop and give new vitality to the lines of Chinese painting.This paper is a study of the application of the artistic form of line in Chinese painting in contemporary decorative painting.As the most important formal language in Chinese painting,the theory and technique have reached the perfect level after the artist's long-term artistic practice.And the unique aesthetic characteristics of Chinese painting lines and the traditional Chinese aesthetic thoughts still provide a continuous stream of inspiration for contemporary artists,in the new era background,we should be based on tradition.This unique art form is applied to the contemporary decorative painting creation with the present aesthetic vision and technical means.Therefore,this paper not only studies the art forms of Chinese painting lines,but also From the analysis of the application of the line form of Chinese painting in contemporary decorative painting,this paper explores the contemporary decorative painting with line as the mainelement,and deeply studies the aesthetic concept and rich expression contained in the line of Chinese painting.Based on the present social environment,I use the line as an artistic form to explain my understanding of art and my thinking of natural life.And use the modern art means to Chinese painting line unique painting form practice in my graduation decorative painting.The paper will be expanded at the following levels:The first chapter is the introduction,which briefly explains the original intention of the thesis writing from the research background,the review of the important literature related to the thesis,and the purpose and significance of the research.The second chapter is a brief overview of the formal language of Chinese painting lines and a brief analysis of the morphological features and formal aesthetics of Chinese painting lines.The third chapter mainly introduces the reasons that affect the loss and return of Chinese painting line aesthetic in modern history.From the two aspects of the external influence of the western foreign culture and the internal cause of the development of their own times,this article emphatically discusses how Chinese artists merge with the art form of Chinese painting while absorbing the western foreign culture at the same time.Inspiration to contemporary decorative painting.The fourth chapter mainly discusses how the expression method of Chinese painting lines is applied in contemporary decorative painting.This part focuses on the performance of Chinese painting lines in painting creation and examples of how the artistic form of Chinese painting lines is used in the painting of contemporary artists,from the form beauty of the composition of the picture,form and space expression,Analysis of three aspects of emotional expression.The fifth chapter is the focus of the paper,through the study of line art form of Chinese painting to guide my painting creation.Mainly from the Chinese painting form language learning and my practice creation two aspects to carry on the analysis.Chapter 6 It's a conclusion.Here,I hope that through the study of the line form language of Chinese painting and its application in contemporary decorative painting,I hope to give more expressive force to the line of Chinese painting on the basis of inheriting the tradition.And combine his artistic practice to explore the contemporary context of decorative painting more possibilities.