Past Serve Present Foreign Serve China

Piano, as a instrument for hundred years. Comparable with the entire orchestra,which was first introduced to China by the image of clavichord. The spread of pianowas always endowed with political overtones. Zhao Yuanren’s peace march taked thefirst step in the filed of Chinese piano creation, since more and more outstandingworks have come forward. However, early works were in accordance with “foreignersoperate what they need conforming to their own modes”, from imitation toamalgamation, going through hardships and difficulties. In the1950s, with the PRCfounded, nationally traditional music had emerged increasingly on the basis of theaccumulation of the Soviet experience. Thereby Chairman Mao put forward asignificant artistic guidance policy,“Past serve present, Foreign serve China”.According to it, ancient piano adaptation music were coming to the fore. This articlequotes the word mentioned above as primarily title, and disassembles to each subtitle,only eight refreing to the essence of ancient adaptation music.The paper, from the performer point of view, discoursed ancient performanceinto three aspects by “conception” the main line. ChapterⅠsupport for overviewsection. In this part, author carry on a summary of analysis about ancient pianoadaptation music, including definition, characteristics, relation with others, formationand development, meaning and value. Based on the macro overlooking of ancientmusic, we can define the scope of research object essentially. ChapterⅡanalyz it atcreation angle, including melody, structure, texture, ornamentation. This part embodythe characteristice of “pianolization”. ChapterⅢanalyz it at technique angle, includingtouching key, rhythm, pedal. This part embody the characteristice of “nationalization”.ChapterⅣstudy it in the view of art, including comparison of Chinses and Western,which search for the fusion pathway.The innovation of this paper is description in literature, in order to comply withthe temperament of ancient music. From the whole structure, each subheading areunited in the main title, the first paragraph in each chapter has a summary overview,and last chapter is the summary of the development in the future. Whether the title, orthe structure is the same strain witn ancient music. In addition, author use comparativemethod (horizontal and vertical), data collection, tables and legends, which are allaccording to “Flute and drum in sunset”,“Ode to the plum blossom”,“Yanguanmelody”. The paper founded by modern scholars’ research, which are more making astudy of ancient music focused on musical form one by one. However, this articlewith an eye to macroscopy, extract the essence from common, and take part in theconception of creators or audience as a identity of performers.