Northern And Southern Dynasties Portraits Research

Wei, Jin Southern and Northern Dynasties is the China’s first secondary social unrestand national integration period, during this period, there has been a professional artist, scholarwas also involved in the painting, folk art was booming, art became an independent aestheticvalue, art creation showed the prosperity. Central Plains agricultural national culture andethnic minorities and foreign cultural blend of rich content and performance techniques ofpainting, but also to promote the emergence of the new face of the painting.Portrait as an important part of the painting, in the Wei, Jin and Southern andNorthern Dynasties period has been tremendous growth,"Making the painting slim "createdby Tanwei Lu was undoubtedly the epitome of the Wei, Jin and Southern and NorthernDynasties celebrities, was the direct portrayal of the literati class. On the whole, the paintingtechniques improved during this period, portraits were showing a variety of faces, bothhandwriting dense "dense style",there are also " They are vivid for using little ink."sparsestyle; the performance of the character style showed different characteristics, so there issaying "Zhang obtaining its outline, Lu is well in structure, Gu is good at spirit". Portraitsduring this period stressed vivid temperament and style as well as people with vivid portrayal,Which has repeatedly stressed in Kaizhi Gu and He xie works of art theory.It is affectingthousands of years of Chinese painting.Southern and Northern Dynasties portraits has spread so many years, mostly is thetomb murals future generations facsimile scroll painting, paper will combine these works,supplemented by archaeological data and literature for further study documented evidence,the Wei, Jin and Southern and Northern Dynasties portraits.Hoping to restore originalappearance.