Probe Into The Guo Quanzhong Painting Style And Artistic Character Creation Road

Since Ming and Qing Dynasties, Chinese painting has been fully developed in landscape painting and flower-and-bird painting, in declining figure painting application only relatively simple. The famous "eighteen." just line method, and applies only to the ancient clothes, limitations obviously. In the past100years, Chinese figure painting for reference western modeling method (drawings) and get in a breakthrough, but it has not solved the contradiction between modeling and writing. As is often the case, some people have a sketch foundation and other skills, but the lack of accomplishment in brushwork and ability, they can on the shapes of people and expressions depicted deeply, but their words probably just other tools, the lack of relatively independent significance. Xu Beihong, Jiang Zhaohe and their followers probably so, this and Xu Beihong school heavy other and light ink on the idea and system of teaching. Others relative to ink, they emphasized by sketch to solve modeling ability at the same time, also emphasized inheriting traditional ink, and in the creation of characters, draw freehand flowers and birds paintings proper method, gives the new character their painting to ink interest animation. But they are satisfied with such a smart and at the same time, but not in characterization obtained breakthrough and deepening, the new Zhejiang School painter Fang Zengxian, Li Zhenjian, Zhou Changgu and their followers probably so.Some take sketch, comic books, New Year paintings based painters such as Huang Zhou, Cheng Shifa, ye Qianyu, in general outline as the main means, is self-contained, but it is very difficult in shaping the image and text of these two great beyond.Since the new period, the artists played down the consciousness of political consciousness and factions, descriptive style of mutual understanding and soon diversified, personalized--a realistic work gradually reduced, tendentiousness behavior greatly rise, text or attention, or slighted, some returned form interesting light image to depict the old, some turn to the new way of the pursuit of form or concept, and the form and style of choice in brand building efforts. But whatever the tendency of the painter, once recognized by the market, mostly on reform, adhere to the style of the castle. Guo Quanzhong in the Chinese figure painting on the road through the open today, innovation and breakthrough, formed its own unique painting language and programming.In this paper, in combination with the representative works of each stage of the Guo Quanzhong painting process and change and expand to the entire Chinese painting creation. The artist’s artistic creation must be deeply rooted in their own national culture, in the depths of their hearts, and on their age. At the same time, try to apply the research results to the graduation creation to. Specifically, the degrees of freedom by means of Chinese painting art in the graduation creation, and absorbs modern western thoughts or absorb folk sincere and strong artistic skill, or some elements from the plane constitute the exploration and practice.