Theory Of Mo Yan’s Novel Creation The Folk Stance

Mo Yan, a large number of profound connotation of folk literature,become a striking writers on contemporary literature of China. He used " in hisown way, tell his own story ", has always been committed to the folk worldaesthetic inquiry, and become the folk literature in a unique personalized folkattitude to personal independence of conduct. The research for Mo Yan’snovel creation, in1985after the “transparent carrot " appearance has notstopped. The researchers are concerned in the initial point of focus more onthe original vitality in Mo Yan’s novels is discussed, and its novel creation ofthe mainstream historical deconstruction function. As Mo Yan continue tolaunch new high quality literature, scholars have more and more concernsabout Mo Yan, the novel creation in the folk factor is increasingly paid attentionby researchers, and to explore these folk factors has made certain researchresults. In general, Mo Yan is able to achieve such great achievements inliterature, folk writing attitude is closely related with the deepening. This papertakes the course of Mo Yan’s folk creation as a whole examinedmacroscopically, and combined with a specific text analysis of the full range ofthe corresponding. From the three dimensions of unique folk discourse system,Mo Yan in the novel creation in the construction of concrete position of self folkcreation attitude and on basis of the folk writing life aesthetic sublimation anddiscusses the unique aesthetic attitude of Mo Yan’s folk creation. In order tofind Mo Yan folk creation attitude in the most profound, the most unique aspectof the show.The full text is divided into three chapters to discuss:The first chapter mainly on Mo Yan’s novel creation which constructed theunique folk discourse system analysis and interpretation. Mo Yan’s unique folksemantic system is an important cultural personalized folk attitude code vector. In the folk creation, he showed in mixed characteristics and unique folklanguage at the same time, it also broadens the scope of folk discourse, theindividual has the special pragmatic effects of civil action and state of aphasiafolk and aphasia are incorporated into the folk discourse expression, thuscreating a unique three-dimensional folk discourse system.The second chapter is the key part of this paper, mainly discusses Mo Yanfor specific civil positioning self novel creation attitude. Firstly, in combinationwith the deepening of promoting factors such as the impact of peasant lifeexperience of Mo Yan early creation, learning development, shaping thewedding of Mo Yan modern aesthetic vision of the city after the mental anguishof the creation of the Mo Yan home and home in beyond the folk culture andfolk spirit in Mo Yan’s creation,analyzes Mo Yan chose the reasons in manyaspects of folk writing attitude. Secondly, explains Mo Yan’s uniqueunderstanding of self folk attitude. His attitude is a kind of " non-form "personality attitude, this personalized performance in creation mentality of the" people", to uphold the principle of non-utilitarian literary creation concept, apersonalized way of life, the assimilation of self-transcendence creativeattitude and the pursuit of the " folk some existence" personality aestheticimagination. Finally, summarizes the development of Mo Yan’s folk creationstandpoint. Mo Yan understanding of the folk creation has experienced sixdifferent stages of development, the folk writing concept from scratch tocontinuously deepen. Mo Yan from the folk writing before the state transition tothe embryonic stage, the traditional writing from sprouting up to modern visioncreation period, then scattered to consciously conscious creation, andhorizontal expansion further evolves into folk creation, finally to theunconscious conscious creation of folk folk psychology deepen after.Gradually deepen to scientifically and systematically summarizes Mo Yan’sfolk creation of the position of the process.The third chapter mainly explores the aesthetic basis for Mo Yan’s folkcreation attitude. Mo Yan from the aesthetic perspective of folk life aesthetic attitude to consolidate their. First he will free factor in folk life as a private innerlife of main spirit of explicit, and efforts to tap the free factor folk life of uniquebeauty. Finally Mo Yan have great originality to tap the aesthetic connotationof the folk life brought about by the end of the. Mo Yan’s private life or deathoften lamentable tragic beauty, or beautifully tragic beauty, or afford much foodfor thought absurd beauty, or self-deliverance blooming beauty, or the localfolk life and death beauty. Through to the death all-round aesthetic mining, MoYan understanding of the folk creation attitude has been further deepened.