Xin’an Painting Ink Performance Evolution Study

Xin’an school of painting of the late Ming period Huizhou Xin a regional school of painting, traditional Chinese painting as a model number of adherents painter Huangshan, White Yue and Huizhou landscape, creative themes and the formation of a painting genre, theyworks Huangshan mother to express themselves, give vent to their anguish, again the Zen lingjing in Huangshan performance sight to behold with ecstasy without my spiritual pursuit and state. In the Ming and Qing Dynasties, Xin’an school of painting glorious moment in China and the history of world culture occupies a lofty position. Xin’an school of painting heyday in the late Ming and early Qing Dynasty, after hundreds of years, the descendants of the Xin’an school of painting after Jian Jiang, Huang, Wang mining and white people have been exploring the Xin’an school of painting development, innovation, Xin’an painting pro-development has made a great contribution, nearly contemporary Chinese painting after the impact of the various cultures, gradually formed a diverse and complex situation, in this state, the Xin’an school of painting seems to have the elegance of the year, and some even that embarked on a "dead end". Xin’an school of painting as a regional school of painting, their character and work very wide coverage, strong penetration, great appeal, Jinling School, late Yangzhou school, Shanghai paintings as well as contemporaryChinese landscape painter and landscape painter, has a great impact on the fact that, Xin’an school of painting history of commitment is far from over. Xin’an school of painting in the history of Chinese painting has left an indelible mark; However, in the history of Chinese contemporary painting very few highlights; leave quietly or to rise again, Xin’an school of painting landscape painting as the spirit of traditional Chinese culture as a model, reference to the combination of the development process of their experience of the Xin’an school of painting, Xin’an school of painting encounters in the analysis of the relationship between the evolution of the performance of the Xin’an school of painting pen and ink with the spirit of the times and the collision of the status quo of contemporary culture. And then compared with the contemporary multi-multi-directional ink painting, analysis to identify the possibilities for innovation of traditional Chinese Landscape Painting. This article focuses on ink performance and use of the landscape analysis, analysis of the the Xin’an school’s development process and the impact of contemporary Chinese art, and try to look for the possibility of the rise again. While under the premise of maintaining Ink boundary expansion of visual impact, the pursuit of artistic conception, efforts to achieve the modernization of traditional works created with its own pen and ink style.