The Research On New Spirt Of Nature In Tao Yuanming’s Poetry

Wei and Jin Dynasty is one of the most chaos and painful years of Chinese history in political and society, but it is the spirit of art shinning era, the artistic spirit is not only reflected in the creative field, but also on the search for the meaning of life. With the collapse of the Han Empire and the decline of central centralization and the Confucian belief,human society and the spirit entered into an unprecedented free period, at the same time in the economic field a large Chinese manor economy began to rise. These changes make people thinking of a new way of life, which led to the emergence of metaphysics in Wei and jin dynasties. The biggest difference of metaphysics and Confucianism is greatly emphasized the personality freedom and independence, which emphasizes the importance of a "people’s awakening"."Awakening" is not only reflected in the various artistic creation within the field of prosperity, but also gave birth to a new understanding of human nature, all these will lead to the Wei and Jin Dynasties a new aesthetic outlook on life.Tao Yuan ming lived in the Eastern Jin of the later Wei and Jin Dynasties, compared with the historical background in Wei and Jin Dynasties, the Eastern Jin Dynasty was the ruling class due to a remote escape after the regime, but the regime itself form is special, so the regime more decadent, powerful families indulge in pleasure and be threatened by growing crises within the imperial court. In the field of thought, metaphysics is also gradually lose the depth and significance of early, and soon outside Buddhism confluence. The ideal personality body during Wei Jin metaphysics pursue becomes empty, people began to seek and confirm the significance and value of individual existence, Tao Yuan ming has also made its own efforts. Mr Li in his book "the beautiful course" to Tao Yuan ming achievements attributed "in the affairs of life free of search, Tao Yuan ming found his own home, and expressed in a perfect art form, has established a new aesthetic ideal in the past have not seen". this "new natural spirit" is the interpretation of the aesthetic ideal, the new natural spirit is the product of the era, also by the traditional Chinese view of nature and the cultural spirit of Confucianism and Taoism, his philosophy, in his poems not only as a unique literary creation theme selection and various meaningful literature the image, but also a kind of artistic way of life, also has significance in modern society."The new spirit of nature" by Mr. Chen Yin Que "new theory of nature" in form, and the inner meaning is more likely to aesthetic interpretation of Tao Yuan ming. This paper is based on the aesthetic perspective, from the Tao Yuan ming era background, combined with the influence of traditional aesthetic spirit in Chinese classical aesthetics of Tao Yuan ming, to Tao Yuan ming’s poetry as evidence, using methods of macro and specific binding to Tao Yuan ming’s aesthetic ideal to explore, so out of its modern significance. This paper from the Tao Yuan ming new natural spirit in the background and theoretical origin, the new natural spirit in the poems of Tao Yuan ming’s performance, the new natural spirit and art living and natural spirit Contemporary Enlightenment of four aspects.