"Happy But Not Too Much, Grief Without Injury":Confucian Neutralization Aesthetic Thought Preliminary Analysis

The purpose of this article sort out and interpret "Happy but not too much, grief without injury "of Confucian neutralization Aesthetic Thought and explore the impact for the development of arts in China and in the contemporary sense.The text is divided into three chapters. From the ideological content sources, analysis, development and impact of important points, three levels to be analyzed.The first chapter combing "Happy but not too much, grief without injury" source of Confucian neutralization Aesthetic Thought."Happy but not too much, grief without injury"from" The Analects of Confucius·Eight yi "Confucius appreciate the aesthetic experience" Guan Ju", later also be used to interpret for him" Guan Ju" evaluation. Confucius is mainly from the point of view of the emotional theory to explore his understanding of "Guan Ju", think that "Guan Ju" the express emotion extent because advocates moderation, so brings "neutral ization"beauty. Methodology, the main opposition cited to analyze the "Guan Ju" aesthetic reasons, this method is used in the "Analects of Confucius" is very common.It should be said, the evaluation of the Confucius "Guan Ju" is pertinent, it is not only an overview of the aesthetic characteristics of "Guan Ju"and reflect the philosophy of Confucius moderation. Aesthetic Thoughts of Confucius, to understand the need for the sources of his ideas for some simple grooming. This chapter attempts from four aspects of the background of the times, moderation philosophy, cultural influence, and benevolence system of thought, to expound the source of Confucius aesthetic thought."The Analects of Confucius" is a Confucian classics, there have always been many well-it research and interpretation. Before specific Solution "Happy but not too much, grief without injury" of the Confucian aesthetic content, first combing ancient masters for the understanding of this sentence, in order to inherit and develop. The second chapter analyzes the music and not prostitution, sad but not hurt the performance of the Confucian aesthetic thought. In fact, the "Happy but not too much, grief without injury"of the Confucian neutralization Aesthetic Thought are not isolated, scattered etiquette ideas of Confucius," gentle and kind"the poems principle, and the beauty of the musical thought.Chapter simple combing "Happy but not too much, grief without injury"the development and impact of the Confucian aesthetic thought. Every thought in the social changes always occur rheologica"Happy but not too much, grief without injury". At different times, it was argued, it was against someone reconcile the trade-offs. Different attitude to enrich and improve this aesthetic ideology played a positive meaning. Has been on the tragedy, the tragedy is why many take the happy ending, people express their views, today. I would like to "Happy but not too much, grief without injury"to the Confucian neutralization Aesthetic Thought trying to look at these problems from one side. In order to specify the music rather than prostitution, sorrow without injury and aesthetic thinking Confucian want a manifestation of the tragedy, this chapter set aside a separate case analysis. With the rise of popular culture on the emotional expression have a variety of choices, but it is undeniable that some way is debatable, such as the proliferation of sad pop music, for people enterprising spirit. Literary aesthetic function, but also should have a certain social function. Thus I thought of Confucius "Happy but not too much, grief without injury"to the Confucian neutralization Aesthetic Thought, should have certain practical significance for the digestion of the current sad music invasion. The author is not to belittle the value of the sad literary and artistic works, just want to be able to hear different voices and views of the different styles of literary and artistic works.