Miao Embroidery Color Research And Application Of Language In Contemporary Painting

Hmong is an ancient nation of China, Miao traditional embroidery art style is unique, gorgeous. For thousands of years, no text of the Miao nationality, its apparel embroidery colors and patterns recorded heritage, religious beliefs and customs of the ancestors of the Miao people, heritage, History. Miao Min after some movement in the long years of arduous process, doggedly embroidery CoLours and styling of the lineage ancestors passed down patterns. Generation to generation over the use of these ancient inheritance from the pattern and color characteristics, life in digestion in the worship of gods and magic illusion brought about by exertion and Hardships, enjoy the happiness and joy of life. Dress of the Miao people rely on embroidery art deco aesthetic ideas and taste, as groups of stylized symbols to express ideas and aesthetic consensus. Embroidery of the Miao nationality not only has aesthetic functions, along with distinct tribal emblems of property. The historical inheritance of its heritage with a stable, their costume features all the progeny of female parent and forms, by the long period of history and curing for traditional, generation.Miao embroidery weaving in the dress of the Miao people, reflecting the practical and aesthetic harmony of unity, is a material carrier of the spirit and aesthetic ideas, unique aesthetic of the Miao people, displays the original of the Miao people’s advocate, he is a Hmong history, culture, art, religion again. Miao embroidery in the seedlings of the nobility by using exaggerated styling, distinctive manifestations, anthropomorphic nature of things to show it, deep in Miao Min character expression there is about the celebration of life and the pursuit of life value, full of about the origin of life, love for nature deities. Miao embroidery is true manifestations of artistic pursuit, the pursuit of free personality, who embodies the ideals and pursuits, complete with fantasy and spiritual creation. Tian Lu at the exotic flowers-Miao minority embroidery art interpretation, saying:"Miao embroidery, which transcends a simulated image constitute the representation of Western modernism and postmodern art searching."Author is Hmong descent, today in the global context, have a responsibility and obligation to promote the renewal of the national traditional culture and inheritance. Miao embroidery color language from ancient times to today, still maintains its unique characteristics, high purity of color, color contrast and direct expression of emotion, with the original color features. Its characteristic and contemporary art, some styles have some sort of agreement at all. Miao nationality embroidery color language in this article trying to find ways of passing on traditional culture in contemporary painting practice new ways to create contemporary paintings of the native language. In response to this goal, this paper is divided into four chapters:Chapter so me primarily addresses the background of Qian dong Nan Miao minority embroidery art language. Part II analysis of contemporary paint colors and the color language of Miao embroidery. Disan、 Sibu is the core of this chapter, and the third is through field visits and access to historical data summarized characteristics of Miao nationality embroidery color language. Part first of all for Hmong embroidery color language awareness analysis combines contemporary painting on the basis of their value, followed by the Miao embroidery color language feature for reference junction painting practice.Through the analysis of Miao nationality embroidery culture and contemporary society and culture, produce the "painting of the traditional culture can create their own language," this conclusion.