The Water God’s Temple Of The Guangsheng Monastery Painting In The Yuan Dynasty

The Water God’s Temple of The Guangsheng Monastery painting in the YuanDynasty.Because of its well preserved, content diversity, proper layout,primary and secondary is bright, colorful, clever composition, and the pictureis permeated with the rich flavor of life, is China’s folk customs, folk fairytales is important reflect, for our country the research yuan Dynasty sociallife, drama, painting has provided the precious image data and research basis,with very high artistic value and research value.The ancient Chinese mural development and prosperity in Buddhism is widelyspread, so most remaining murals are in Buddhism and Taoism as the maintheme, the temple fresco mural in China the development history has animportant status. In the ancient Chinese mural history of Yuan Dynastytemple murals, water is the only existing one not to Buddhism and Taoism asthe content of the mural isolated. While the water temple as the customs ofthe temple a, originated from folk to natural objects of worship of water godworship and produced, has its particular social and natural conditions, hasthe very strong mass base.At present in the temple to temple murals for water research, on the watertemple mural studies have been relatively lag phase, the system detailed analysis research is few, so in the study of water temple murals problemassumes office remain we go further inquiry.