Kang Hai And The Study Of His Drama And Non-dramatic Songs

Kang Hai is the mid Ming dynasty famous writer, in poetry, prose,drama, etc have done each of the genre. In poetry, he and LiMengyang, He Jingming is known as "the former seven scholars",advocated literature, restoring ancient ways is very highly regardedby its present and future generations. Opera, in Kang Hai extant twodramas,they are "a perfidious person"and"Wang Lanqing",San Quset "Pandongyuefu ","pandongyuefu record after”. This articlemainly from Kang Hai zaju and sanqu works, this article studies byKang Hai is summarized in the achievements in the history of operaand its influence on the later period of Ming dynasty song altar.In this paper, the introduction part, the history of Kang Hai arereviewed and the present situation. Since the Ming and qingdynasties, the Wang Jiusi more focus on their studies in the field ofpoetry and literature, the study of Wang Jiusi drama and sanqucreation also mostly with drama "a perfidious person", other workshave not been able to get enough attention. Mr Especially sanquChen tianyuan in Taiwan found that after the "pandongyufu record "including Kang Hai poem185, number185sets. New discovery hasincreased the Kang Hai sanqu research space. Based on this, theauthor carefully study its corpus, drama, genre, work etc, on thebasis of fully absorbing predecessors’ research results, to explorenew material, using the new method, a comprehensive system ofKang Hai literary achievements, this paper put forward its own research direction and the exploration.The first part discusses family、lifetime and excursion of KangHai. The family’s glory impels he to seek the official career, whichleads to his success. However, Kang Hai suffers a huge gap becauseof early favorable circumstances and late frustrations. Thisexperience makes a difference for Kang Hai’s content and style.Kang Hai who stays at home likes music. At this time, he createdmost of drama and sanqu. This paper mainly tells the relationsbetween Kang Hai and Li Mengyang, Kang Hai and Wang Jiusi, andthen discuss the experience of literary creation.The second part discusses the two works:Zhong Shanlang andWang Lanqing, which analysis ideological implication and artisticachievement of Kang Hai’s drama. First it summarizes the study ofresearch, analysis the drama of Kang Hai’s irony meaning, and thenmake a difference of Wang Lanqing’s themes and characters. Hebelieves the image of Wang Lanqing reflected the composition ofsocial criticism. Finally this paper analysis the characteristics ofcombination of the realistic and romantic, self speak dialect andlanguage dialect.The third part discusses Kang Hai’s sanqu creation. First itestablish the historical position where Kang Hai start the sanqu’ssituation in Ming dynasty, and then discussed two contents. Finallyit discusses the bold simple artistic style. On artistic expression todestiny word, closely argued, artful use parables, flexible sentence,with distinctive features.The last part discusses Kang Hai and his plays which have beenadapted for the kunqu performance and the development of the"Kang Wangqiang",the origins and contribution of Kang home classand the zhangs’ class in order to prove the Kang Hai’s impact in the history of traditional opera.