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From The Warring States "Dragonfly Eyes" To See The Development Of Contemporary Glass Bead Craft

Posted on:2014-02-05Degree:MasterType:Thesis
Country:ChinaCandidate:Q WangFull Text:PDF
GTID:2235330398952880Subject:Art of Design
Abstract/Summary:PDF Full Text Request
“Dragonfly eyes” glass bead is from Western Asia incoming China at the end ofthe Spring and Autumn period. It is generally popular from the Warring States Period,regardless of the numbers of unearthed or types,this period “Dragonfly eyes”glassbead have a unique style. On behalf of the glass decoration art in the Warring StatesPeriod, its modeling,color,and process such as regard reflect people of the WarringStates Period have aesthetic tendency. More is glass process, plastic arts, historywitness, social function, symbols and fashion aesthetic perfect a combination of,haveworth summarizing and reference department.Contemporary Glass bead crafts exhibit a state of extinction in China, worthpondering and further study. It is imperative to inherit and carry forward the glassbead crafts. That is the main point of this article.“Dragonfly eyes” glass beads itsunique traditional aesthetic Features and cultural connotations, is in line with andadapt to today’s consumers demand for craft products with traditional processcolor.Therefore, in the context of modern fashion aesthetic, search for “Dragonfly eyes”Prospects for the Future Development of decorative art glass beads, is the mainpurpose of this article.The full text is divided into three parts.(Another introduction and conclusion atall chapters).The first part introduces the the source of “Dragonfly eyes”glass bead and thethe common beliefs of the “eyes” culture,combined with analysis of China’s "Dragonfly eyes " type and scope of application.The second part focuses on the influence of developments and emerging issues,“Dragonfly eyes” from the West and native culture in the Warring States Period,further analysis of its unique traditional aesthetic features,combined with the culturalconnotation.The third part of this chapter is mainly combined theory and practice, Presentsituation and the plight of contemporary glass bead technique for analysis, combinedwith modern fashion Aesthetic Characteristics and the author of works, from four aspects of technique innovation, Pluralistic Integration, deepening the decoration,cultural emotional to searching for its development.
Keywords/Search Tags:the warring states, cultural connotations, present situation of glass bead, vogue aesthetic, development
PDF Full Text Request
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