A Study On Interpretation Of Watercolor On The Basis Of Life-form Theory

Art always is the creation of human spiritual experience and social practice, and thecreation of works of art with its abundant form and internal spirit to enrich people’semotional experience, nourish the people’s hearts, art also in denial denied andwave-like forward, upward spiral. History of outstanding works of art, wide variety,always show the human’s true feelings and the height of wisdom, and good works of artcan deepen the human understanding and the understanding of the world. Artists alsovaguely felt for a long time, art and human beings have some internal connection withthe mapping, often with a "living","living" and "breathing" and so on a series ofadjectives, which is closely linked with the life to describe some of the outstandingworks of art, and philosophers have also mentioned a lot related theory.Ernst Cassirer and Susan lange "life form" of art theory is the western traditionalart in the theory of "organic" and "" the life theory existence for sublimation andsummary. Their theory was introduced into China in the early80s, and cause theattention of academia, and the theory and the theory of life spirit in Chinese traditionalart theory has a lot in common. In this paper, the author based on this, the theory ofwestern life forms hierarchical comparison research, their similarity, the similaritiesare, try to stand in the Angle of the practice to explore life forms theory in the concreteembodiment of watercolor art. In this paper, the author borrows Ernst, Cassirer andSusan lange life forms theoretical framework, and combining the theory of the life ofthe spirit of Chinese art, from organic wholeness, emotion expressive, motility, andrhythmic, the characteristics of the diversity, creativity, trying to show links betweenart and people’s life, with life forms the theoretical framework of reviewing howexcellent watercolor art to the spirit of the living face to show her, how through theirline, color, rhythm and so on to reflect the characteristics of life, art masters and howto make his life and works of art form a reflection on the watercolor art such asinjection of blood has the vigor of life in general. Finally, the paper puts forward theexcellent watercolor art should have growing, and growing as has the vitality, the mostprominent feature of watercolor art and puts forward the development of watercolor artof watercolor art art is an ideal form of life.This paper try to use the combination of Chinese and western forms of life toenrich watercolor art theory, art theory to watercolor workers help, also hope forwatercolor art criticism theory system to inject new vitality.