Mo Yan’s Novel Deconstruction Strategy And Construction

Mo Yan is a famous writer in China, is also the first won the Nobel Prize in literature of Chinese writers. In thirty years of writing career, his literary contribution eleven novels, more than over a hundred short stories, plays, essays and published. In Mo Yan’s novel creation, he is constantly changing, while transcending the self, rebellion and Deconstruction of the concept and mode of traditional mainstream literature. His works embody the deconstruction of the mainstream art and mainstream discourse, but also reflects the history and reality of the traditional narrative deconstruction, and the traditional aesthetic consciousness of deconstruction, deconstruction and at the same time, also established the style of folk expression of their own, from the individual characteristics of creative pursuit of visible Mo Yan and her novel creation. In this paper, based on Mo Yan’s novel creation, focus on the characteristics of deconstruction and construction, so that from certain angles and levels to analysis, interpretation of Mo Yan, writing strategy and writing characteristics and grasp of Mo Yan’s novels, on the creation of value.In Mo Yan’s novels deconstruct feature on the mainstream ideology of historical narrative deconstruction, deconstruction, deconstruction of traditional aesthetic consciousness and other aspects, established its own folk style in deconstruction, this paper is divided into three chapters to be discussed separately:General outline and the present research situation of the introduction part mainly introduces Mo Yan’s novels, illustrates the reason for choosing the topic, research content and research method.The first chapter mainly discusses Mo Yan’s Deconstruction of establishment and folk standpoint and elegant writing. Focusing on the rebel elite writing, writing to the people’s vision, position, as well as the challenges inherent authority and order, the trend of carnivalization expression to be discussed.The second chapter mainly discusses the establishment of Mo Yan’s Deconstruction of the traditional historical narrative and historical narrative. This chapter elaborates from two aspects: history and folk history, and the history of folk discourse.The third chapter mainly discusses the establishment and aesthetic style of the deconstruction of traditional aesthetic consciousness of Mo Yan’s novels. In Mo Yan’s novels subvert the traditional aesthetic principles, characteristics to the ugly, perspective and attitude to investigate the aesthetic choice.The last part of the essay, points out that Mo Yan’s Deconstruction of the balance, namely deconstructive fiction with his new building.