Musical "miss Saigon" Of The Main Characters Of Music Image Research

In the first chapter，the author started writing the dramatic background asthe introduction, and comprehensive discussion combining dramaticstructure .In this section is of dramatic structure, the author effectively extractedtwo mental conflict, four emotional catharsis, six dramatic conflicts, andsummarized the whole work of the dramatic structure as the starting point.Around the main body of this article " the musical image of the maincharacters on the musical‘Miss Saigon’", I will focus on the second chapter fortwo sections--First, the melody and rhythm of the musical image of the maincharacters";" second, the harmony and orchestration of the musical image of themain characters --to be detailed interpretation.In the process of interpretation, the author based on the aria of the musicalimage of the main characters, and analysis the structure of melody respectivelyin the melody lines, the core interval, and its relationships with dramatic poetry.And we will analysis the rhythm in the tempo and its changes, the rhythm and itschanges, the density and strength in the rhythm, and its relationships withdramatic poetry. The four aspects of the structural rhythm of the abovecombined into the first section of the second chapter. The harmony of Section IIincludes the melody and tone changes; the sound design in beginning, climax,ending of the sentence; and its relationships with dramatic poetry. The overallinstrument sounds, and the expressed meaning of the orchestration for dramaticpoetry is orchestrated two main entry points.So I completed the image of figure which is positioning itself through theanalysis of melody, rhythm, harmony, orchestration, and their respectiverelationship with the drama of poetry. For a more comprehensive, in-depth studyof the musical image of the main characters. And it is necessary for us to graspthe performance of the musical aria in the overall musical context. Thus, on thebasis of itself positioning, the author also have a new work foe its positioning as awhole. If the second chapter is the microscopic analysis of the image of musical figure, then the first chapter, "the creative and dramatic structure on‘MissSaigon’" is the field of macroeconomic analysis. The third "the introductionmechanism and ending mechanism of the aria of the musical image of the maincharacters", and the fourth chapters "the significance of the non-musicalelements for the musical image of the main characters" need to solve in themid-view of the field.The establishing of Chapter III is a major innovation of this paper, theconcepts of introduction mechanism and ending mechanism of the aria are saidfor the first time by the author in the music literature - and of course their birthis convenience to musical analysis, not intentionally furnishings. The fourthchapter is established under the initiative of the instructor (the keen academiceye of the professor is the important weight in this article).It consists of threeparts: English is the main body, and also use England, France, Vietnamese;avant-garde stage design and lighting scheduling; magnificent performanceprops.