"the Survey And Research Of Yangge Po Yu Ding"

Yu Deng Yangko spread on the shore of the canal Taierzhuang Lunan Huang LinZhuang, introduced in 1931 by the Tianjin Taierzhuang, is a native of the localcharacteristics of a civil township will be art. Its manifestations is a dance-oriented,with cheerful, happy tone, that love Scenery, free play, improvisation. Sometimes thestory of the opera performances of some small programs, content, mostly Romantic,children’s marriage, but also the performance of men and women that funny. In short,Yu Deng Yangko is a song, dance, drama, funny (b) one of the four forms of folkperforming arts.The main part of this article is divided into four chapters: the first chapter of YuDeng Yangko research background. These include the growth of its geographical andcultural environment, history and research value analysis, based on this part of theactual, Yu Deng Yangko conducted on an overview of the whole. The second chapterof Yu Deng Younger art features. This is the main part of this paper, this chapterthrough field investigation and the predecessors of the art research results summarizedin detail for the Yu Deng Yangko performances, costumes, role classification,accompaniment music and a series of artistic features, the overall performance of YuDeng Yangko account of the specific style. The third chapter of Yu Deng Yangkoculture. Yu Deng Yangko style of performance by a folk culture show, reflecting thecultural functions, from the perspective of cultural theory, Yu Deng Yangko furtheranalysis. Chapter IV of Yu Deng Yangko Analysis and heritage protection. Yu DengYangko chapter by status analysis, the moment people should be valued and protected,and the inheritance and development of this traditional folk art.The innovation of this thesis, mainly in the following two aspects:First, fill the art of academic research gaps for Yu Deng YangkoYu Deng Yangko is a folk dance in Shandong, but their understanding of peoplewith little children, only in the "Chinese Folk Dance integration" (Shandong volume)and Hujing Ying, Liu true editor "Younger - Chinese Quintessence Art Reader" the book describes some simple, other works rarely mentioned, and no image dataretention, so its almost not finishing excavation. I venture to Yu Deng Yangko ofhistory, art features, and cultural investigation, collation and study, the overallsummary and conclusion. So that more people understand and recognize the smallkinds of dance, dance for their research to fill gaps.Second, civil folk, social function theory point of view of the profound culturalconnotations Yu Deng YangkoYu Deng Yangko Qilu culture is an integral part of the traditional folk arts andculture representatives. Through a deeper theoretical point of view and try to figureout Yu Deng Yangko cultural phenomenon is extremely interesting, I hope to givepeople interested in dancing career to bring some inspiration and reflection.Qilu Yu Deng Yangko dance culture of the representatives of small dances fromthe peak to the decline experienced in the process, and now with the urban and ruralareas continue to enrich cultural life, people’s aesthetic value of the change, Yu DengYangko performances form has been basically non-existent, so in order to protect thetraditional folk art, contemporary people must vigorously protect and pass on, so thata beautiful wonderful dance Qilu bloom forever go on.