In The 19th Century French Opera "flower Of Evil" Delicate And Charming

From eighteenth century to the nineteenth century, after Napoleon dictatorship and the intense classconflict after, French music culture constantly by the influence of the romantic literary and artistic ideas,appear a batch of excellent opera reflects era culture work. In the long development of vocal music,hunting and Camille complied with the trend of The Times created opera "Carmen" and the "Samson andda Lila", the two opera for the19th century to contraltos leading of the French lyric opera masterpiece.In the beginning of this research, I found in the19th century French opera, with leading of thecontraltos works are very rare, and contraltos this "evil" image works only to save "Carmen" and the"Samson and da Lila" this two works, simple analysis of the two operas and the works aria more, butwill their combining analysis Carmen and reach Lila characters and aria works almost have no, the” NieHabakkuk pull "and" I be elated "the two first aria, for example about the training of the contraltos but itis almost no, so I was with19century French Carmen," Samson and da Lila "and its characters and ariaas the research object, and through the Brezhnev Habakkuk pull","I be elated" two of the first aria musicanalysis, combining the actual vocal music training in skills and learn about contraltos performingtraining. Among them the third chapter and the fourth chapter for this exposition key.This paper briefly introduced the first chapter19century French opera and the development of the19th century French famous composer; The second chapter is the development of the classification andcontraltos a brief overview of the, this chapter to Italy and France in the19th century contraltos worksand characters are compared; The third chapter of Carmen and reach Lila’s two first aria "Solid Habakkukpull" and "I be elated" carry on music and character analysis; The fourth chapter I in the third chapter ofthe first aria two analysis as an example, and combining with actual vocal music training, vocalperformance based and contraltos training are discussed in this paper.This article19century French opera history and the19th century France and Italy contraltoscomparison for matting, based on the solid habakkuk pull "and" I be elated "music of the analysis of themain line, as an example and in the training of the contraltos discussed, hope to be able to providelearning for the contraltos singer for reference.